Scarier than M.J.? (Photos by Lina Lecaro)
Mag-nifique Week“Sparkle. Plenty. Los Angeles. Wow!” That was the succinct four-word encapsulation made by sequined scribe
Mickey Boardman at the kickoff party for the
Paper L.A. Project, in which the übersassy NYC magazine spends a whirlwind week in El Lay, throwing offbeat events and producing a whole issue devoted to our not-so-humble hometown. For the third year in a row,
Paper creators
Kim Hastreiter and
David Hershkovits brought along their cast of merry characters (Boardman, look-alike DJ duo
Andrew Andrew, various photogs and editors) and set up shop at a local storefront, this time a space on La Brea and Third designed by architectural wonder woman
Barbara Bestor. They sure hosted some off-the-hook humdingers, the wildest of which had to be opening night featuring paintings by
Phyllis Diller (in attendance) and celeb Polaroids from
Henny Garfunkel, followed by a dance class hosted by the famed Parisian boutique
Collette at the
Montmartre.Watchinga couple hundred ghouled-out girlies and faux-bloodstained boys bust out their best zombie moves to the choreography of
Michael Jackson’s “Thriller” video was unlike anything we’ve ever seen at
any club. “It’s amazing what people can learn in a couple of hours,” said Collete
’s Sarah Lerfel, who throws the dance parties all around the country — this was the first L.A. one. Indeed, by midnight, the dance floor saw an almost perfectly executed rendition of M.J.’s still-creepy clip, though, of course, nearly 25 years later (it came out in ’83, can ya believe it?), nothing is quite as scary as the singer’s real life — and looks.
Other
Paper parties during the week included a guitar battle pitting New York shredders against L.A. ax grinders, followed by sets from
Ima Robot and
The Airborne Toxic Event at
The Roxy, a beachside bash hosted by champion short-board surfer
Pascal Stansfield,and maybe their most chaotic happening, a “24 Hour Department Store.” From 6 p.m. Friday to 6 p.m. Saturday, the La Brea space became a sleepless shop-a-thon, with everyone from
Jeremy Scott (intern
Scout Willis — yeah, Bruce and Demi’s kid — worked his booth) to N.Y.’s
Screaming Mimi’s to
FUCT to
Hearts Challenger to
Cobrasnake hawking unusual clothing, toys, books and the like. The event was meant to question the link between art and commerce, but unlike, say, the Louis Vuitton store inside MOCA’s Murakami exhibit, the merch was indeed artistic — and affordable. (We actually purchased a baby onesie that appropriated the above’s L.V. purse print with gorilla heads! Ironic, huh?) Of course, this being L.A., the celeb element was bound to seep in too, and when
Lindsay Lohan popped into the space on Saturday, the
Paper peeps got to experience a real Hollywood pap attack, as ferocious flashers crowded their front window for L.L. shots. Ick.
It was an entirely different kind of starlet that glammed up
Paper’s “Last Supper” at
Bar Marmont, marking the project’s climax on Sunday. Dudes done up as Hollywood grandes dames held court as fashionable well-wishers, including Scott, event planner
Bryan Rabin, actress
Ann Magnuson (who blogs for
Paper’s Web site) and writer
Merle Ginsberg (who told us she used to cover the after-dark beat just like Nightranger before penning fashion tomes), mingled and noshed. Another East-meets-West love-in was over, and we gotta say, Mr. Mickey got it so right: The parties were plentiful, the outfits sparkled, and the week as a whole was definitely full of wow! Check out the post-week coverage at Paper.com and look for the L.A.-themed issue — which we’ll be contributing to — next month.
Farming OutRan into
Blood Cat Love’s Myles Hendrick with
IO Echo’s Joanna at the
Paper opening, both of whom coincidentally had gigs at the Henry Fonda that week, IO opening up for
She Wants Revenge on Saturday and Hendrick deejaying for the
TankFarm Future Sounds showcase with
The Shout Out Louds, Nico Vega and
Johnossi a couple nights before. Didn’t catch SWR or SOL, but after hearing Bloodcat’s new release, and checking IO’s MySpace page, we highly recommend them as bands to watch. We’ll keep ya posted on upcoming shows. We did attend TankFarm’s pre-party (with burritos from Wahoo’s, yum) and stayed long enough to see Swedish duo
Johnossi get all hot and bothered; singer John even got shirtless. Not sexy, but definitely raw, buoyant and emotive stuff. We’re hesitant to compare another two-piece to
The White Stripes, but we couldn’t help but think about ’em while watching drummer Ossi whip the shit out his kit. Check out the blistering “Man Must Dance” off their debut and on TankFarm’s latest comp, actually the 30th from Bay Area music freak
Larry Little’s mixtape-turned-tastemaker CD series.
Masque man Brendan Mullen at the Echoplex
Un-MasquedIf it’s not painfully obvious by now, we’ll just say it: Nightranger has been clubbing for a looong-ass time. Over 20 years (with the help of a bad fake ID that would never work today). Still, the mayhem of the legendary punk club
The Masque was way before our time. Thankfully,
Brendan Mullen’s new book,
Live at the Masque: Nightmare in Punk Alley, makes ya feel like you were there, and the release party at
The Echoplex last Sunday conjured, we’re guessing, some of the dive’s dark-and-dirty ambiance, especially with so many of the old crowd there:
Michelle Bell a.k.a. Gerber, Hellin Killer, Pleasant Gehman, artist
Michael Norton, Shock singer and graphic designer
Paul Lesperance, The Screamers’ KK Barret with
Plunger Sister wife
Trudie, X’s Billy Zoom, Fear’s Lee Ving, the Germs’ Don Bolles and
Lorna Doom, the Zeros’ Hector Penalosa and
Robert Lopez (a.k.a.
El Vez), many of whom reminisced on film for a possible documentary for
Swindle’s Roger Gastman, and all of whom look damn good for living through such depravity back in the day. Guess there’s hope for us all.
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