Most Popular

SLIDESHOWS

Recent Articles

Recent Articles by Julianne Gorman

National Features >

  • Miami New Times

    Amazons a Go-Go

    Big girls, little guys, lots of fun.

    By Natalie O'Neill

  • SF Weekly

    The Rise and Fall of "The Monster"

    Gay porn star Michael Brandon goes from meth addict to anti-drug crusader--and back.

    By Ashley Harrell

  • Dallas Observer

    My Two Sons

    Andrew and Freddy Velez are the first brothers to die in America's War on Terror.

    By Megan Feldman

  • Westword

    Skateboarding in Iraq

    Llewellyn Werner thinks a few half-pipes could get Baghdad's economy rolling.

    By Jared Jacang Maher

Be Social

  • rss

The Last Town Chorus

Wire Waltz

Julianne Gorman

Published on March 08, 2007

{mosimage}THE LAST TOWN CHORUS | Wire Waltz | HackTone Records

The Last Town Chorus is the progeny of Brooklyn-based Megan Hickey — an evocative blend of sweet and slightly narcotic vocals offset by the melancholy strains of her lap-steel guitar. Hickey delivers Americana-laced tristesse from a place so authentic that even the harshest self-confessed cynics will have a hard time resisting. The album reframes some universal themes — love, loss, longing — in a context of blurred moral and social boundaries. There’s a farewell letter that invites speculation over the particulars of the “strange crime” that landed the eponymous “Caroline” behind bars. There’s also teenage isolation polished into self-acceptance in the bittersweet reminiscence of “Huntsville, 1989.” See also: How hurt can make you crazy with the obsessive pain of the (newly?) jilted in “It’s Not Over.” Like re-entering the real world from a subtitled art-house film on a Sunday afternoon, emerging from this album takes a lingering little while.


LA Weekly Insiders

  • Local food, music and news blasts
  • Free Stuff