You might know bandleader Don Costa as the urbane arranger behind some of Frank Sinatra's most iconic tunes, the Chairman's go-to man in the 1960s for chart-topping orchestrations.
You might also know him (though we doubt it) as the man who signed Little Anthony and the Imperials and Trini Lopez to his DCP International label.
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But we're pretty sure very few people, outside of enterprising, hardened thriftstore crate-diggers, know he's responsible for one of the strangest interpretations of Brian Wilson's psychedelic oeuvre ever pressed onto plastic.
Let's go on a trip.