Love & Taxes (NR)
The film, directed by his brother Jacob Kornbluth, intercuts the stage show with comic re-enactments of his experiences dealing with lawyers, the IRS and his charming, anxious girlfriend. As a writer, Kornbluth is vivid, funny and skilled at conveying characters, qualities he actually matches in performance. His flair with his voice manifests in two tax attorneys; one is Bob, a kindly old corporate lawyer for whom Josh works as a legal secretary. Onstage, Josh celebrates Bob's expressive deployment of corporate taxation language, which includes "reverse double-dummy maneuvers" and "collapsible corporation rulings."
The second lawyer is Mo, a clipped, methodical personal tax attorney. She launches Josh on his voyage of bureaucratic redemption by psychoanalyzing him. Failure to file, she tells him, isn't a tax problem — it's a tax symptom. And sure enough, his earliest memory of taxes is his dad throwing away his 1040 form and taking Josh out for ice cream instead. As Josh digs out of his financial hole, he also confronts his father's influence and his own similar irresponsible tendencies.
Unfortunately, Sara is the most underdeveloped of the film's characters. Sweetly eccentric early in the film, she becomes flatly hectoring and unsympathetic during the third act. Overman is great, but Sara is unfinished business, the one missed opportunity in an otherwise smart memoir.