Directing the documentary Hondros, his childhood friend and colleague Greg Campbell has drawn upon decades’ worth of images, video and amity. The result stands as a testament to not only the man’s journalism but his humanity.
Hondros’ work began at his school newspaper and later at an American daily, but it was his breathtaking photos of war victims, soldiers and protesters — a few of which became iconic and may even have altered history — that earned him accolades. His compositions are carefully balanced, making the calamities he captured all the more disorienting and devastating: a wailing kindergarten-age Iraqi girl covered in her mother’s blood, an armed teenage Liberian rebel leaping in triumph, a tiny Afghan child forlorn amid the ruins of a whitewashed Kabul palace.
But what most distinguishes Hondros’ work is his compassion. After his shot of that young Liberian, Joseph Duo, made him famous, Hondros tracked the subject down and helped him secure an education and meaningful work. In an era when the propaganda machines of conflicts like Syria are imperiling photojournalists’ work all the more, Campbell’s homage to his friend is a thorough look at a straight shooter.