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Neighborhood

  • Genre: Action/Adventure, Drama
  • Release Date: 10/10/2008
  • Running Time: 107 mins
  • Director: José Iván Santiago
  • Cast: Daddy Yankee, Maestro, Katiria Soto, César Farrait, Angélica Alcaide, Norma Colón, Norman Santiago, Welmo E. Romero-Joseph, Rey Pirín, Pepe Fuentes
  • Producer: George Rivera
  • Writer: George Rivera, Ángel M. Sanjurjo
  • Distributor: Maya Entertainment
  • Offical Site: Click Here
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Box Office

  1. The Dark Knight, 26.1 million, 441.6 million
  2. Four Christmases, 31.1 million, 46.1 million
  3. Bolt, 26.6 million, 66.8 million
  4. Pineapple Express, 23.2 million, 41.3 million
  5. Twilight, 26.3 million, 119.7 million
  6. The Mummy: Tomb of the Dragon Emperor, 16.5 million, 71.0 million
  7. Quantum of Solace, 18.8 million, 141.4 million
  8. The Sisterhood of the Traveling Pants 2, 10.7 million, 19.6 million
  9. Australia, 14.8 million, 20.0 million
  10. Step Brothers, 9.1 million, 81.1 million
  11. Madagascar: Escape 2 Africa, 14.2 million, 159.1 million
  12. Mamma Mia!, 8.2 million, 104.1 million
  13. Transporter 3, 12.1 million, 18.2 million
  14. Journey to the Center of the Earth, 4.9 million, 81.8 million
  15. Hancock, 3.3 million, 221.7 million
  16. Role Models, 5.2 million, 57.8 million
  17. WALL-E, 3.1 million, 210.2 million
  18. The Boy in the Striped Pajamas, 1.7 million, 5.2 million
  19. Swing Vote, 3.1 million, 12.0 million
  20. Milk, 1.5 million, 1.9 million
Movie Title, Weekly Earnings, Total Earnings

Talento de Barrio

When conservative watchdogs snarl about the ugliness of gangsta rap, Talento de Barrio might be what they picture in their heada vile, stupid, violent-crime drama that would be laughable if its content wasnt so toxic. Drug boss Edgar Dinero (reggaeton star Daddy Yankee, who mostly glowers) prowls the gritty streets of Puerto Rico and dreams of becoming a rapper. Directed limply by Jos Ivn Santiago, Talento de Barrio lustfully idolizes its shallow, gun-toting bad boy, as can be witnessed by the disinterested lip service given to crimes downside and a particularly risible moment when Edgar carts out the old the whole worlds corrupt justification during a brief monologue. Reggaetons success was due to its Latin-influenced reinvention of commercial hip-hops sonic palette, but Yankees vanity project resorts to every rap-music-video clich to tell the umpteenth story of a young tough who has to choose between burgeoning stardom and the reality of the hood. Talento de Barrio sells Yankees fans a fantasy of hot babes, cool cars, and an endless supply of fresh threadsjust so long as you dont get killed first, of course. Which would be a total drag, because then whos gonna buy his records? — Tim Grierson

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