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Kiss of the Spider Woman

Manuel Puig’s novel dealt with the volatile relations between frivolous gay window-decorator Molina (Chad Borden), and Valentin (Daniel Tatar) -- an earnest, straight political prisoner -- sharing a South American jail cell. A previous dramatization zeroed in on that relationship. But, writing the book for this musical version, with score by John Kander and Fred Ebb, Terrence McNally faced the task of “opening up” the story, and creating opportunities for musical numbers. The Spider Woman (Terra C. Macleod), a symbolic fantasy figure, had to be expanded into a role for a female star. So, like a ballet with too many divertimenti, the story must constantly stop in its tracks to accommodate splashy numbers or conventional, often irrelevant songs. Director Nick DeGruccio and choreographer Lee Martino have mounted a terrific production, with a fine cast, an athletic dance ensemble, a huge and handsome set by Tom Buderwitz, slinky outfits for the Spider Woman by Anne Kennedy and sterling musical direction by Michael Paternostro. The actors are fine and make the show moving when the script lets them. But too many numbers and distractions clog the show’s arteries, and the compelling central tale falls prey to Broadway razzle-dazzle.
Thursdays-Saturdays, 8 p.m.; Sundays, 3 p.m. Starts: Sept. 26. Continues through Nov. 9, 2008

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