Hungarian playwright Ernest Vajda is perhaps best known for the screenplays he wrote for director Ernst Lubitsch (including that for The Merry Widow) but this forgotten gem of a romantic comedy, written in 1915, with a tempestuous young man-meets-older woman love affair at its core, is an engrossing, emotionally nuanced oddity. Innocent teenager George (Michael Hanson), a provincial boy living in his family's isolated chateau in the Hungarian countryside, finds his life turned upside down when his distant cousin's wife, Mathilde (Ursula Brooks), a sultry vixen 10 years his senior, arrives from the city for a vacation. In a twist of fate that would not seem out of place in the Hungarian 1915 issue of Penthouse Forum, Mathilde shows up on the doorstep while George's parents just happen to be out for the evening and she almost instantly beds the virginal, horny young man, who afterward falls in love with her. Complications ensue when Mathilde's pompous lawyer husband (Scott Conte) arrives at the house the next morning. Although Vajda's three-act comedy occasionally falls prey to patches of inert dialogue, director Marilyn Fox's psychologically assured production, blessed by Audrey Eisner's gorgeous period costumes, possesses a delicate, melancholy emotional truth. In this fragile relationship, Mathilde, who knows the boy better than he knows himself, adores the idea of living forever in the young man's memory. Performances are deft and multidimensional, particularly Brooks' inscrutable older beauty. Pacific Resident Theatre, 703 Venice Blvd., Venice; Thurs.-Sat., 8 p.m.; through Jan. 30. (310) 822-8392.
Thursdays-Saturdays, 8 p.m.; Sundays, 3 p.m.; Fridays, Saturdays, 8 p.m. Starts: Nov. 1. Continues through Feb. 22, 2008
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