A Perfect Likeness
Charles Dodgson, more popularly known as Lewis Carroll, was a fascinating study in contrasts: a conservative, reticent, religiously devout lecturer in mathematics whose incredible imagination bred Alice in Wonderland and other wildly fantastical novels and poems. In writer-director Daniel Rover Singer's 90-minute two-hander A Perfect Likeness, the prim Dodgson (Daniel J. Roberts) spends an afternoon with an even more celebrated literary icon, Charles Dickens (Bruce Ladd), struggling to reconcile his prior adoration for the universally acclaimed older writer with an appalled response to Dickens' rough language, bald earthiness and frank skepticism. Singer's script lends equal weight to both characters, but from the opening curtain Roberts seizes the limelight, with a pitch-perfect portrayal of a personage who might easily have been reduced to caricature. Ladd, a bit too stagily flamboyant at first, gains firmer footing as each character's secrets spill out and the encounter grows more intimate. Aficionados of either writer will appreciate the scenario's biographical detail, but this isn't a biopic and you don't have to be interested in 19th-century British literature to appreciate the play's odd-couple jousting and emotional poignancy. A scene in which Dodgson goes into a trance to reveal his nagging torments is optimally underscored by designer Will Hastings' lighting.
Sundays, 3 p.m.; Thursdays-Saturdays, 8 p.m. Starts: Nov. 10. Continues through Dec. 21, 2013
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