Email Author Scott Foundas
The Place Beyond the Pines opens with a close-up of Ryan Gosling's chiseled abdomen — surely one of the more salable commodities... More >>
"All you need to make a movie is a girl and a gun," goes Jean-Luc Godard's quip. Add to that a few more girls and their bikinis, and you have... More >>
The hills of Cristian Mungiu's Beyond the Hills (Dupa dealuri) are a barren canvas of straw grass and leafless trees, framed by a... More >>
It's a bad omen when, early on in Oz the Great and Powerful, we learn that the full given name of its wizard is Oscar, also the... More >>
To paraphrase Stephen Sondheim, there are big, tall, terrible, fleshy, bulbous-headed giants in the sky in Jack the Giant Slayer. And... More >>
When River Phoenix died in October 1993, he was three weeks away from completing his performance in Dark Blood, an $8 million indie... More >>
Like the yearning Jimmy Van Heusen/Johnny Burke torch song that lends it its title, Abbas Kiarostami's Like Someone in Love is a sly,... More >>
If Sundance signals the annual launch of American indie cinema’s new product line, the 63-year-old Berlin Film Festival... More >>
"I've been lucky in that I've always worked with writers whose voices are so specific that there really isn't any way to recalibrate things... More >>
"This is the West, sir. When the legend becomes fact, print the legend." So goes the adage from John Ford's 1962 classic The Man Who Shot... More >>
The Max of Claude Sautet's 1971 Max and the Junkmen (Max et les Ferrailleurs) is a Paris detective in charcoal topcoat and matching... More >>
"Like a lot of other stuff in my life, I sort of fell backwards into it," screenwriter Will Beall says of his unexpected perch atop Hollywood's... More >>
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