Email Author Peter Frank
The three painter-draftsmen in “Skin,” on view at Klapper Gallery, address themselves to the appearance of the human body, its... More >>
The modes of entertainment Lawrence Gipe refers to in the title of his series “Zirkus und Varieté” were the circus and cabaret... More >>
Coleen Sterritt informs the macho medium of wood sculpture with a tempering humor and an almost self-parodying embrace of furniture. Enmeshing... More >>
Manuela Friedmann practices a kind of maximized minimalism that owes at least as much to “traditional” European geometric painting... More >>
Though the achievements of Constable and Turner couldn’t quite be matched, they honed other English painters’ regard for the limpid... More >>
Llyn Foulkes, curmudgeon-genius of the L.A. art scene, has burst forth with a bevy of new work in two shows, displaying contrasting aspects of... More >>
The collages kinda look like a cross between John Baldessari and Llyn Foulkes, with a dash of early Sherrie Levine and Richard Prince (both of... More >>
Cartography constitutes an art form in its own right — even nowadays, when mapmakers no longer depict monsters swimming at the edges of... More >>
Abstract expressionism was, and is, not at all a matter of sloshing paint around in a fit of “self-expression.” The original action... More >>
MOCA just exhibited Robert Rauschenberg’s suite from the ’60s. Sandow Birk showed his new in-the-hood version last spring. And now,... More >>
The “Venice Mafia” may be getting on, but its capi are staying mighty frisky, continuing to experiment with forms, images and... More >>
Mark Kostabi, Whittier’s second-favorite son, has been splitting his time lately between New York and Rome. The immersion in European... More >>
Spokane-based Tom O’Day has it all figured out: If you can’t show or sell it, destroy and remake it. O’Day hates the term... More >>
Mucho buzz about abstract painting in California; here are three shows that generate their share of the excitement. Carlos Villa and the late... More >>
Neil Wax exercises an uncanny ability to emulate the graphic sensibility of the supermarket shelf to subversive but touching ends. For... More >>
No paint is apparent in Santa Barbara artist Joan Tanner’s installation “On Tenderhooks”; unfinished plywood and various... More >>
Does it all boil down to real estate? It sure seems to in California, and artists — always the unwitting tool of gentrification —... More >>
Artists breed artists in the bedroom as well as in the classroom, and Los Angeles boasts its own painterly dynasties. “All in the... More >>
Leyla Cárdenas isn’t just another UCLA art star, she was born, raised and still lives in Bogotá, and her MFA years up he... More >>
As elegant and prickly as their maker, the sculptures of Claire Falkenstein conflate the two dominant directions in postwar abstract art:... More >>
Fluxus artist Ben Patterson’s latest exploration, reconstituted as an installation in cast concrete and flowing water, traces a small and... More >>
The thinned acrylic pigments Suzan Woodruff has sent coursing across her surfaces with ever more voluptuous abandon have clearly followed their... More >>
The painterly gesture plays a crucial role in David Reed’s art, even in the rough-hewn landscapes the New York painter realized early in... More >>
Practitioners of a supposedly superannuated aesthetic, veteran light-and-space cadets Helen Pashgian and Lita Albuquerque forge ahead with... More >>
Steve Tobin, a many-faceted sculptor, began his career as a ceramist, and has returned to the earth to — well, to blow it up. Tobin... More >>
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