Email Author Nick Pinkerton
Salesmen are typically depicted in screen drama as the quintessential American phonies. The exceptions — in Barry Levinson's... More >>
Midnight (1939), in which penniless cab driver Don Ameche pursues American gold-digger Claudette Colbert across a Paramount–back... More >>
The yammering about "Oscar gold" and Denzel Washington's potential three-peat soon will reach a deafening pitch, but such noise can only... More >>
For 11 months of the year, horror movies live a skulking, marginalized existence, despised, like carnival freaks, by the studios for whom they... More >>
The big movie event of September will be the much-anticipated latest from a filmmaker who signs his films with the surname Anderson and a pair... More >>
Screening the history of bootlegging in urban America led to the invention of a genre — the gangster film — but moviegoers have... More >>
The Naked Kiss (1964) is the prototypical Sam Fuller film, from the leering paperback title to the in medias res opening that... More >>
Calling back many of the same characters and more than a few of the same jokes, 2 Days in New York, Julie Delpy's fourth film as... More >>
Frame-filling, dirt-seamed showdown squints accompanied by a soundtrack that's a menagerie of caws, grunting hombres, twanging spokes and livid... More >>
It's one of the most cherished legends of the American indie: A socially retarded ugly duck, despite making no effort to regulate his glaring... More >>
At one point in Killer Joe, a hideously funny tabloid noir set on the outskirts of Dallas County, Chris Smith (Emile Hirsch) is let into the... More >>
Christopher Nolan's ponderous, pontifical action movies are written less as screenplays than as operator's manuals, guiding an audience through... More >>
People Like Us is a certifiable adult drama built atop sturdy thematic supports, a rare enough item these days, though it's telling... More >>
Arriving in theaters on the back of a portentous ad campaign, Ridley Scott's Prometheus assumes the air of something more than a... More >>
Les Enfants Terribles Alex Ross Perry's The Color Wheel Alex Ross Perry's second feature, shot in 16mm black-and-white,... More >>
In 1971's Beware of a Holy Whore, Rainer Werner Fassbinder bottled the anarchic atmosphere in which his art was created. In the lobby... More >>
If ever there were a perfect example of pure, fresh, classical simplicity unnecessarily trodden under with complications, it is Snow White... More >>
Can any one of the millions of Americans who saw Men in Black 2 in 2002 describe its plot today? A single scene? I saw both... More >>
Jean Renoir's Grand Illusion opened in an anxious France in June 1937, as wars were going badly for the Spanish and Chinese republics... More >>
There is a moment at the end of Robert Bresson's penultimate film, The Devil, Probably (1977), when Charles (Antoine Monnier), a young... More >>
A significant portion of Tim Burton's output over the past decade has been concerned with slipping the "Burton treatment" to susceptible texts:... More >>
Richard Linklater's Bernie is the rarest of rarities: a truly unexpected film. It might be classified as a black comedy, for it deals... More >>
With The Deep Blue Sea, the great British director Terence Davies returns to the postwar period — although, in a sense, he has... More >>
Béla Tarr, the Hungarian director who became something like the patron saint of slow cinema with 1994's 450-minute... More >>
"There's no one way to live our lives," hopes the displaced, adrift couple at the center of Wanderlust. Shopping between the prefab... More >>
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