Melissa Anderson

 

Melissa Anderson is the senior film critic at the Village Voice, for which she first began writing in 2000. Her work also appears in the publications of the Voice’s film partner, Voice Media Group: LA Weekly, Denver Westword, Phoenix New Times, Miami New Times, Broward-Palm Beach New Times, Houston Press, Dallas Observer and OC Weekly.

Popular Stories

Latest Stories

  • 2 days ago | Film and TV

    The story beats of Patti Cake$, a socioeconomic-sermonizing comedy about a thick young white woman with huge hip-hop dreams and little prospects, are as predictable as the ticking of an egg timer, as generic and tinny as the pulses of a drum machine.

  • Often populated with voluptuaries, the films of Bertrand Bonello unerringly distill mood and milieu. The dread-drenched, bifurcated and bold Nocturama recounts roughly 14 hours, from about 2 p.m. to 4 a.m., sharply juxtaposing the micro...

  • The story beats of Patti Cake$, a socioeconomic-sermonizing comedy about a thick young white woman with huge hip-hop dreams and little prospects, are as predictable as the ticking of an egg timer, as generic and tinny as the pulses of a...

  • 8 days ago | Film and TV

    Nocturama sharply juxtaposes the micro details of a massive attack on Paris with the vague ideology guiding the coed band of multiethnic millennial and Gen Z terrorists who carry out the assault.

  • A pleasingly discursive road movie for our geosocial age, writer-director Jérôme Reybaud's debut narrative feature navigates la France profonde with the help of Grindr. "France is huge. Full of men, full of possibilities,"...

  • 23 days ago | Film and TV

    The most coherent moments of the simultaneously byzantine and dumb Atomic Blonde are its nimbly choreographed fight scenes.

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