Email Author L.A. Weekly Film Critics
GO CAPTIVITY Captivity’s credits bill it as “a Russian-American coproduction,” and it damn near wa... More >>
Every summer, I jump at the chance to review Outfest films because it’s a festival that still feels very local, which is a lovely thing,... More >>
GO CAPTIVITY Captivity's credits bill it as "a Russian-American coproduction" and it damn near warms the cockles of one's... More >>
EVENING See film featurePICK GYPSY CARAVAN Don’t wai... More >>
GO AUGUST EVENING (USA) UCLA film school grad Chris Eska’s accomplished debut feature provides a welcome throwback to a time... More >>
Taking its title from a 1964 Artforum article linking the rebellious spirit and bop attitudes of West Coast art to those of West Coast... More >>
GO AMU Born in India, but raised in America after being orphaned at age 3, 21-year-old Kaju (Konkona Sensharma) has returned to New Delhi as... More >>
CRAZY LOVE As tabloid babies go, Burt Pugach and Linda Riss were a pretty conventional 1950s incompatible couple. Their pathologies,... More >>
BAMAKO Drawing equally from declamatory African traditions and European modernist procedures, Bamako stages a kind of Third World Epic... More >>
ANGEL-A What if you took It’s a Wonderful Life, replaced George Bailey with a scruffy Parisian con man and swapped Henry Travers’ dodderi... More >>
BROOKLYN RULES As a longtime series writer on The Sopranos (his credits include the classic “Pin... More >>
PICK 28 WEEKS LATER The story thus far: Seven months have gone by since the Rage virus passed from chimp fang to British bloodstream in an... More >>
AMERICANIZING SHELLEY A romantic comedy set in the world of Hollywood agents and wannabe actors, More >>
AMERICAN CANNIBAL Even more desperate than reality TV these days might be the indie film, its audience thinned to near nonexistence by... More >>
AMERICAN CANNIBAL Even more desperate than reality TV these days might be the indie film, its audience thinned to near nonexistence by... More >>
EVERYTHING'S GONE GREEN More >>
ADAM’S APPLES The prolific Danish screenwriter Anders Thomas Jensen (Wilbur Wants to Kill Himself... More >>
ARE WE DONE YET? One year (in movie time) on from the action of 2005’s More >>
AFTER THE WEDDING There’s trouble in Denmark, but Shakespeare has left the building. The stuff of soa... More >>
BOY CULTURE Boy Culture is a film made by people just smart enough to acknowledge that the tropes of modern queer filmmaking have been... More >>
BEHIND THE MASK: THE RISE OF LESLIE VERNON The postmodern trend of self-reflexive horror movies — itself a cliché by now — comes bac... More >>
Spartans, ripped and ready for battle (Warner Bros. Pictures)300 Long ago there reigned a clan of Speedo-wearing, militaristic... More >>
THE ABANDONED A punishing dose of zombie Chekhov for lifetime Fangoria subscribers, the first feature... More >>
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