"Let's pour gasoline on the flowers, they're in full bloom," proposes one of the pintsize insurrectionists in Werner Herzog's Even Dwarfs Started Sm...
When the films of Eric Rohmer were first shown, they must have appeared like nothing that had been seen in a cinema before: all talk and no action, without any ...
When the films of Eric Rohmer were first shown, they must have appeared like nothing that had been seen in a cinema before: all talk and no action, without any reliance on genre conventions or attention-grabbing contrivances. Even the languorous works of Antonioni seemed animated by comparison. Yet Rohmer was......
(Click to enlarge) Night and fog: The Man From London The title of Bela Tarr’s second feature, The Outsider (1981), could apply to almost every character in every one of his films. The doleful compassion always present in his work is most vividly displayed here and in the other two......
The Criterion Collection (Click to enlarge) Yojimbo When Sergio Leone shifted the action of Akira Kurosawa's Yojimbo from a windswept silk-trading outpost to a sun-drenched Mexican border town, he ran a blade through the traditional Western, stripping it down and opening it up, eviscerating its tiresome romantic subplots, upping the......
The late Russ Meyer was probably the only director whose works were equally at home in the art house and the porn theater, and in both venues the audience got a lot more than it anticipated. The presence of heroines with gravity-defying fun bags was by no means Meyer's only......