Craig D. Lindsey


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  • There are two stories being told in the documentary Boom for Real: The Late Teenage Years of Jean-Michel Basquiat. The first: How 1970s New York, that city of urban decay, run-down apartment buildings, rampant crime and overwhelming...

  • 17 days ago | Film and TV

    Boom makes Basquiat out to be an on-the-fringe, Zelig-like character, attempting to get his foot into a bustling arts scene where the inner-city people were beginning to mingle with the downtown folk.

  • 22 days ago | Film and TV

    At their core, both Overboards are traditional rich-person-learns-how-to-be-a-real-person farces, the kind of films Frank Capra and Preston Sturges used to direct in their sleep.

  • There’s a simple reason that the plot of Overboard sounds like the sort of over-the-top, highly implausible, downright cruel and unscrupulous stuff you’d see in some wrongheaded comedy from the ’80s. The new Overboard is a...

  • As a filmmaker, William H. Macy has been on a comedy kick lately. Last year, he had Kate Upton and Alexandra Daddario play friends fighting over the same dude in The Layover. Now, he goes into quirky overdrive with Krystal. Rosario...

  • For a documentary that aims to be a comprehensive history of the modern dance DJ, What We Started tends to be both as enthusiastic and as unfocused about the whole scene as the average young EDM fan addled on molly.

    Filmmakers Bert...


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