Email Author Christopher Miles
Franz West is known for his interactive, body-extending “Adaptives” sculptures, and his show now near the end of its run at LACMA... More >>
Based upon the geometric system of one of his recent vacuum-formed wall installations, Jim Isermann’s new works in acrylic latex on... More >>
In this odd pairing, one finds a lesson in how artists make use of the permissions and precedents opened up by prior groups or movements. Asad... More >>
Everything you see in a Kim McCarty painting is the result, literally, of things having settled out — things in this case being particles... More >>
A sense of a new and rewarding whole — a sum that both surpasses and reinvigorates the parts — is palpable here. The show is not... More >>
There are some things to forgive in the first U.S. survey of work by Ethiopian artist Elias Sime, like Peter Sellars... More >>
Strategies of appropriation and plays with found objects and images push into cultural conflation, convergence and cannibalism in this sleeper... More >>
An artist whose practice was forged among latter-day abstract expressionism, postminimalism’s hybrid and experimental approaches to... More >>
As much a master of assemblage as of theatrical showmanship, Elliott Hundley flexes his chops in his first solo show with Regen Projects by... More >>
Brad Eberhard pits his practice, and the feeling you get from his paintings, between flux and control — laying down paint in washes,... More >>
Jackson Pollock believed technique must suit its age; his own technique, he said, was fit for the age of the “airplane, the atom bomb,... More >>
A first round of press releases announced the lineup for this show, guest-curated by Kristine McKenna, as a trio to include... More >>
At a moment when so much of the interaction between cultures and nations gets described with terms like “clash” or... More >>
A sculptor I know, who came out of art school at the height of minimalism in the late 1960s, once told me how a next generation of artists... More >>
Imagine an alternate ending in which Little Red Riding Hood, Grandma, the Woodsman and the Big Bad Wolf join forces in a sewing circle to... More >>
You might mistake the first painting in Maaike Schoorel’s show for a blank canvas that picked up smudges while bumping around the Dutch... More >>
Over the past couple of decades, Constance Mallinson has deployed a bag of tricks borrowed from the antics and tactics of old masters,... More >>
Imagine if Goya, chronicler of the excess, decrepitude and depravity that brought brutal irony to the end of the “age of... More >>
Fuck, yeah! That’s a phrase I’ve never before used (and never much imagined I would) in an art review, but... More >>
If you’ve been watching the contemporary-art horizon for the past 20-plus years, the passage of another Raymond Pettibon show might seem... More >>
There’s a relentlessness that defines Robert Longo’s oeuvre, and his imagery —... More >>
Aptly titled Venice, Venice, Paris-based artist Paul P.’s current offering at Marc Selwyn is something... More >>
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