Bilge Ebiri

 

Bilge Ebiri is the principal film critic at the Village Voice. Ebiri's work also appears in the publications of the Voice’s film partner, Voice Media Group: LA Weekly, Denver Westword, Phoenix New Times, Miami New Times, Broward-Palm Beach New Times, Houston Press and Dallas Observer.

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  • Aubrey Plaza is a national treasure, but the movies still haven't figured out what to do with her. Ingrid Goes West comes close, though, with its twisted, of-the-moment tale of an Instagram stalker who infiltrates the personal life of a...

  • 16 days ago | Film and TV

    Taylor Sheridan isn’t afraid to embrace genre. His Wind River plays more like an unusually well-made episode of CSI: Wyoming than the highly anticipated directorial effort from the screenwriter of Hell or High Water (which may well have been last ...

  • In Columbus, architecture takes the place of emotions, to sometimes startling effect. An outwardly chilly, resolutely static film that nevertheless finds poignancy in the most surprising places, Kogonada's directorial debut does a couple...

  • Taylor Sheridan isn't afraid to embrace genre. His Wind River plays more like an unusually well-made episode of CSI: Wyoming than it does the highly anticipated directorial effort by the screenwriter of Hell or High Water...

  • 20 days ago | Film and TV

    In Columbus, architecture takes the place of emotions, to sometimes startling effect. An outwardly chilly, resolutely static film that nevertheless finds poignancy in the most surprising places, Kogonada’s directorial debut does a couple of import...

  • 23 days ago | Film and TV

    The events in Detroit have been largely forgotten by today’s amnesiac world, but the it offers critical insight into the blight and despair that helped feed the chaos of 1967.

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