Bilge Ebiri

 

Bilge Ebiri is the lead film critic at the Village Voice. Ebiri's work also appears in the publications of the Voice’s film partner, Voice Media Group: LA Weekly, Denver Westword, Phoenix New Times, Miami New Times, Broward-Palm Beach New Times, Houston Press and Dallas Observer.

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  • 14 days ago | Film and TV

    It starts off as the portrait of a troubled child, but expands to become a film about community

  • Tommy Wiseau has parlayed the catastrophe of his film The Room into a national phenomenon, good-naturedly profiting off the audiences who’ve come to revel in his artistic misfortune. And now there’s a major motion picture, directed by and...

  • The modern family movie presents an interesting challenge. How do you tell a story in a way that's clear and plainspoken enough for younger viewers while still finding ways to bring subtlety and depth to the material? Wonder, the story of...

  • Can we call Joachim Trier's Thelma a horror movie? The story of a young woman whose mysterious seizures coincide with unsettling, possibly supernatural goings-on around her, it certainly resembles one in its broad strokes. And with Trier's...

  • 1 month ago | Film and TV

    Despite the many troubling trends in our media culture, the movies’ response to the Iraq War has been (gasp) surprisingly admirable. Since the mid-2000s, a steady stream of films have artfully addressed war’s aftermath and the homefront — from Sto...

  • Like most of the better Marvel efforts, Thor: Ragnarok feels like the work of a unique sensibility instead of a huddle of brand managers. While the studio's films demonstrated plenty of comic flair right from the start, recent efforts have...

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