Photo by Virginia Lee Hunter
If you like this story, consider signing up for our email newsletters.
SHOW ME HOW
You have successfully signed up for your selected newsletter(s) - please keep an eye on your mailbox, we're movin' in!
Actor Maria OBrien grew up in a house packed with artists, guests of her father, Academy Awardwinning actor Edmond OBrien, and her musical-comedy-star mother, Olga San Juan. My father had designed our house in Brentwood so that the living room was a stage. I have early memories of Vic Damone singing and Hoagy Carmichael playing the piano.
For OBrien, what was most striking about watching her father work was the behind-the-scenes camaraderie of the artists, something on which the company shes currently working with, Padua Playwrights Productions, prides itself. (OBrien has played major roles in two of the three Murray Mednick plays that constitute Paduas inaugural season an aging vaudevillian in 16 Routines and Mrs. Feuerstein, the wise, furious survivor of an anti-Semitic purge in Poland. See accompanying article.) Im a character actress really, says OBrien, a youthful-looking mother of three adult children, on the day we met in a West Hollywood coffeehouse.
Patrons who caught 16 Routines earlier this year inevitably remarked on the girl with the voice on how she memorably repeated What? in a pitch-pipe treble and Brooklyn dialect. Describing her inspiration for the role, OBrien recalls a childhood encounter: Out of nowhere I heard this jet-engine voice booming, No honey, the other shelf. I ran to the other side of Robinsons to see Ethel Merman shopping.
The blond, tan, expressive OBrien would seem to be odd casting for the traumatized Mrs. Feuerstein. There were two real people from whom I drew inspiration, she explains. One is Inga Friedman, a tiny woman with an enormous personality who escaped the Holocaust as a child. The other is my former landlady Esther Sky, who survived the camps. Referring to the plays more disturbing elements, OBrien says, It isnt just about the Holocaust its also about vengeance and the projection of evil. Its a rare play that allows this much anger to be expressed onstage.