Loading...

Yes, Blue Is the Warmest Color Has Controversial Teen Lesbian Sex. But It Also Has Passion 

Thursday, Oct 24 2013
Comments
Léa Seydoux, left, and Adèle Exarchopoulos

Léa Seydoux, left, and Adèle Exarchopoulos

One of the tragedies of the Internet age is that sometimes movies get attention for all the wrong reasons. When Abdellatif Kechiche (The Secret of the Grain) debuted Blue Is the Warmest Color at Cannes in May, the festival jury was so taken with the film and its two lead performances that it split the Palme d'Or between the director and his actresses, Adèle Exarchopoulos and Léa Seydoux, who play lovers. Many critics at Cannes loved the picture, and seemingly not just for its sex scenes, which, incidentally, are among the most naturalistic and carnal I've ever seen. But Manohla Dargis expressed her dismay in The New York Times, writing, "It's disappointing that Mr. Kechiche ... seems so unaware or maybe just uninterested in the tough questions about the representation of the female body that feminists have engaged for decades." She added, "The movie feels far more about Mr. Kechiche's desires than anything else."

More complaints piled in, some from people involved in the making of the movie. Exarchopoulos and Seydoux gave a number of charged interviews — or, perhaps more accurately, interviews that were presented as charged — claiming that Kechiche's mode of working was abusive, and that he demanded take after take of difficult sequences, including the sex scenes. Kechiche went on the defensive, essentially calling Seydoux a spoiled brat and saying that the film "shouldn't be released, it has been soiled too much."

At this point, what reasonably curious person doesn't want to see Blue Is the Warmest Color? But what's going to happen when people trek out, revved up for lots of hot lesbian sex, and find something else? Tenderness, unlike actor-director spats, doesn't make very good copy.

Related Stories

  • Catch Up on the Best New Foreign Films

    Awards for Best Foreign-Language Film are a mixed bag. Laurels meant to highlight noteworthy selections from across the globe sometimes condescend to them instead and often miss the boat on world cinema's richest offerings in a given year. But this year's Golden Globe nominees — all of which you can...
  • Pedro, 10 Years Later

    When I say Napoleon Dynamite, you say Pedro Sanchez. But here’s a trivia question: What’s Pedro’s real name? Answer: Efren Ramirez. Yes, many people don't know the real-life Pedro, even though he's been working nonstop since his character's famous run for class president ten years ago in the cult classic...
  • 20 Worst Hipster Movies of All Time 45

    How to describe a hipster movie? Invoking the “I know it when I see it” rule seems an easy way out of applying a definitive label to something so nebulous, but there are a number of hallmarks to be wary of. Soundtracks consisting of indie, folk, and/or anachronistic songs that...
  • Etheria Film Night Screens Horror and Sci-Fi Movies Made by Women

    Etheria Film Night is out to dispel that women don't want to be directors. More importantly, the new film festival exists to address the misconception that women don't direct scenes that bleed, crash and explode. During the course of Etheria's inaugural event at Hollywood's Egyptian Theatre on Saturday, gore poured...
  • AFI Fest: The Race to Find the Year's Best Indie Films

    While waiting for a movie to start at the Sundance Film Festival in January, Lane Kneedler learned that his wife was pregnant. He was there scouting movies as part of his job as associate director of programming at AFI Fest — the most prestigious film festival in Los Angeles, which...

Exarchopoulos plays Adèle, who is 15 when the movie opens. She's a literature student who hopes to be a teacher, and she does most of the things 15-year-olds do, huddling with her girlfriends — a small, close-knit tribe with a predilection for blue nail polish and perpetually messy hair — gossiping about which boys are checking out whom. Eventually, Adèle goes out on a rambling teenage date with one of those boys, and later sleeps with him. The experience isn't what she was hoping, and we've already been given a clue what the problem is: Crossing the street one day, she catches a glimpse of a charismatic, androgynous girl with a thatch of dyed blue hair and a knowing smile — she's like a tropical bird crossed with the Artful Dodger. Adèle can't stop thinking about this young woman. We know why, but she doesn't.

The woman's name is Emma (Seydoux), and she's an art student, a few years older. The two finally meet, almost miraculously, in a bar. They flirt cautiously. Emma comes to Adèle's school the next day, hoping to see her again, an act that seems like stalking in modern terms but is really more the stuff of Gothic romance: The potential lover feels the magnetic pull of any nation, patch of moor or piece of real estate where the beloved might be.

The relationship that begins in that schoolyard lasts for years, into Adèle's early adulthood, and Kechiche allows it to play out in languorous detail. Blue Is the Warmest Color is a longish movie in which nothing and everything happens. Kechiche and his actresses explore the in-between — ecstasy, exploration, the comfort and eventual boredom of domesticity — and the aftermath, the painful shards of feeling we cling to after something has shattered. And they don't mess around when it comes to the ferocity of love, sex or, God help us, the two combined.

The sex scenes constitute maybe eight minutes of the film, and they're extraordinary, free of the varnished, composed feeling of so much movie sex. Yet, as striking as they are, they're hardly the movie's major feature. Somehow Seydoux and Exarchopoulos manifest an idea of desire, a mood that performers and directors often fail to capture even when there's good on-set chemistry.

Seydoux is always a captivating actress, but here there are layers of vulnerability beneath her fox-cub allure — even the way in which she courts Adèle is careful and measured, as if she has a clairvoyant sense of how precious and fleeting their time together will be.

But Exarchopoulos, guileless and vibrant, is the devastating one. At first Adèle doesn't know what she wants; then she wants it all, and her ardor is overwhelming. When she breaks up with that early boyfriend, she reaches, distraught, for a stash of candy bars she keeps under the bed. She can't shovel them in fast enough; she chews with her mouth open, so the chocolate mingles with her grown-up tears. The comforts of childhood are what she needs at that moment.

Even later, when she's changed her hair in an effort to look more "ladylike," her face is still round and soft, a girlish moon. It's open to every feeling, every pleasure, which means she has further to fall.

BLUE IS THE WARMEST COLOR | Directed by Abdellatif Kechiche | Written by Kechiche and Ghalya Lacroix | Sundance Selects | Landmark, ArcLight Hollywood

Reach the writer at szacharek@villagevoice.com

Related Content

Blue Is The Warmest Color (La Vie d'Adèle)
Rated NC-17 · 179 min. · 2013
Director: Abdellatif Kechiche
Writer: Julie Maroh and Abdellatif Kechiche
Cast: Adèle Exarchopoulos, Léa Seydoux, Jeremie Laheurte, Catherine Salée, Aurélien Recoing, Sandor Funtek, Karim Saidi, Baya Rehaz and Aurelie Lemanceau

Now Playing

Sorry there are no upcoming showtimes for Blue Is The Warmest Color (La Vie d'Adèle)

Now Showing

  1. Tue 16
  2. Wed 17
  3. Thu 18
  4. Fri 19
  5. Sat 20
  6. Sun 21
  7. Mon 22

    Find capsule reviews, showtimes & tickets for all films in town.

    Sponsored by Fandor

Box Office Report

Scores provided by Rotten Tomatoes

Join My Voice Nation for free stuff, concert and dining info & more!

Now Trending