In The Dumb Waiter, Gus implodes: "What's he doing it for? We've been through our tests, haven't we? We got right through our tests, years ago, didn't we? We took them together, don't you remember, didn't we? We proved ourselves before now, haven't we? We've always done our job. What's he doing all this for? What's the idea? What's he playing these games for? ... WE'VE GOT NOTHING LEFT! NOTHING! DO YOU UNDERSTAND?"
American Buffalo's third character, Teach (Ron Eldard), suffers a similar collapse near that play's conclusion, after their planned heist has gone awry: "My Whole Cocksucking Life. The Whole Entire World. There Is No Law. There Is No Right and Wrong. The World Is Lies. There Is No Friendship. Every Fucking Thing. (pause) Every God-Forsaken Thing." (The script capitalizes every word, as though Mamet is crowing about rather than apologizing for the articulation of the play's larger view.)
I do wish Arney's production were tighter. The actors are magnificent, as is Takeshi Kata's ultra-cluttered set with stools and bicycle wheels and suitcases stacked at various altitudes. The play on the page is taut, yet onstage it plods, possibly from the excessive focus on the emotions flying across the room. The actors are good enough to keep those emotions wry, expressed in the glint of an eye or a furrowed eyebrow. Arney deserves credit for that, but he also deserves blame for the sagging cue pick-up, which slows the pace. Imagine Rice Krispies having sat too long in milk.
10886 Le Conte Ave.
Los Angeles, CA 90024
Category: Theaters
Region: Out of Town
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AMERICAN BUFFALO | By David Mamet | Geffen Playhouse, 10886 Le Conte Ave., Westwood | Tues.-Sat., 8 p.m.; Sun., 2 & 7 p.m.; through May 12 | (310) 208-5454 | geffenplayhouse.com
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