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An earlier stage work about Deep Throat, which played at the Hayworth Theatre in 2008 — Anna Waronker and Charlotte Caffey's Lovelace: A Rock Opera — made its thematic anchors the seamy, abused life of its female protagonist, and her eventual anti-porn crusade. The differences between that work and this one lie in the differences between the genders of the protagonists (and, perhaps, of the authors). The unarguable titillation of porn is rarely kind to women, as performers or viewers, despite the depiction in The Deep Throat Sex Scandal of loving support by Lovelace's co-performer, Shana Babcock (Veronica Hart), and her determination to help Lovelace break free of her awful husband.

As Babcock, Reems, Damiano and Traynor, actors Hart, Ginsburg, Savage and Tomkiw are on dramatic comedy terra firma. But director Douglas can't prevent some supporting performances from lurching into sketch comedy, and the clash is grating. What saves it is Parker's ever-so-nuanced Lovelace. Aside from her physical resemblance to the late star, and amidst her submissive veneer, Parker captures the flickerings of a woman who will, in time, exact her revenge on the entire industry.

Natasha Charles Parker, right, as Deep Throat star Linda Lovelace, and Veronica Hart as her fellow performer Shana Babcock
PHOTO BY ED KRIEGER
Natasha Charles Parker, right, as Deep Throat star Linda Lovelace, and Veronica Hart as her fellow performer Shana Babcock

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Zephyr Theater

7456 Melrose Ave.
Los Angeles, CA 90046

Category: Theaters

Region: West Hollywood

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In the performance I saw, Sally Kirkland and Bruce Vilanch turned in cameos as, respectively, an aging porn queen–turned–ticket taker and the Memphis judge. In future shows, those roles will be played by Nina Hartley and Christopher Knight and by Georgina Spelvin and Christian Mann.

The mainstreaming of porn is a conundrum. With no apologies for the repression and hypocrisy it replaced, I'm not convinced that it has made us a healthier society but rather that we've replaced one set of savageries for another. This is what The Deep Throat Sex Scandal so doggedly ignores, as though monetizing and wrapping ourselves in sexual fantasies makes us either more connected to each other, or more free.

THE DEEP THROAT SEX SCANDAL | By David Bertolino | Zephyr Theatre, 7456 Melrose Ave., W. Hlywd. | Thurs.-Sat., 8 p.m.; Sun., 7 p.m.; through Feb. 17 | (800) 838-3006 | deepthroattheplay.com

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1 comments
FSCArmy
FSCArmy

With all due respect, it's very difficult to tell if this is a review of a "The Deep Throat Sex Scandal" or the author's op-ed on his distaste for adult entertainment/sex industry topics. 

And frankly, it is mind-boggling that a writer that works for a subsidiary of Village Voice Media should be criticizing a challenging perspective on free speech, when the Village Voice has been a longtime advocate for 1st Amendment rights. Remember Backpage(.)com??? Voice Media has had to defend the right to post classified ads that some say promoting sex trafficking, but it's okay to further vilify the legal adult entertainment industry with snarky news stories like this?

Whether this author likes it or not, pornography has existed since the dawn of civilization in some form or another. There is no doubt that the play's author, David Bertolino, is pro-free speech AND pornography; thank God that he has free speech protection to be able to write plays on topics that interest him. There are still plenty of place on earth were a story like this could not be told.

"The Deep Throat Sex Scandal" is a snapshot of an important event, in the history of a significant social phenomena which is modern pornography. Whether you like it or not, it's a time and part of history that deserves to be documented. For those of us that actually remember the 70s and how different the political climate was then; the social mores; the innocence of that time... people seemed a lot less judgmental than they are now. Back then, the Village Voice was a champion of 1st Amendment issues.

If the story's author didn't like the play, then fair enough. But shame on this writer for confusing his own opinions on pornography with what should have been opinions on the play itself.

 
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