This style almost goes off the rails when Standley's Starbuck waltzes in, licking his lips at Lizzie and making his promises to save the farm — promises that threaten to make fools of people who are suffering and desperate.
The production is saved in part by its linchpin, Frederick's droll, rat-smart Lizzie. With subtlety and composure that often belies the text, she knows who she is and what she wants. Though the play is over-written, Frederick's performance lies so entrenched beneath the lines, it's as though she absorbs the play's excesses so that they don't even show.
PHOTO BY RON VIGNONE
David Garver, left, Stephen Howard, Tanna Frederick and Benjamin Chamberlain
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Her terrific performance is not enough to turn the play into a classic, but it does provide enough of an emotional pull to reveal the reasons why it keeps getting staged.
THE RAINMAKER | By N. Richard Nash | Edgemar Center for the Arts, 2437 Main St., Santa Monica | Thurs.-Sat., 7:30 p.m.; Sun., 5 p.m.; through March 24 | (310) 399-3666 | edgemarcenter.org