Don't miss the newly restored MANTRAP (1926), which will premiere at the UCLA Festival of Preservation this March. Â Or any of the several Bow features yet to unspool in January and February. Â
The Wild Party, directed by Dorothy Arzner, is actually an enjoyable film, touching in its depiction of female camaraderie at a women's college. (The invention of the boom microphone sometimes is attributed to Arzner, who needed to follow the free-ranging Bow around the set.) And Bow continued to perform above the level of her material in schlock like 1930's True to the Navy, which reteamed Bow with Fredric March, and does contain the small pleasure of Bow shimmying and singing along to the radio.
Like fellow Jazz Age survivors the Fitzgeralds, the hyperextended Bow was destined for a crack-up. Retiring from pictures, she lived as a recluse, in and out of sanitariums until her death in 1960. The full measure of Bow's flaming youth had been sacrificed to the camera — and not for nothing. While so many screen actors of her era appear today as elegant waxworks, Bow still fairly jumps off the screen, a vivid avatar of Young America.
10899 Wilshire Blvd.
Westwood, CA 90024
Category: Community Venues
Region: West L.A.
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CALL HER SAVAGE: CLARA BOW HITS THE SCREEN | Billy Wilder Theater | Hammer Museum, 10899 Wilshire Blvd., Wstwd. | Jan. 4-Feb. 10 | cinema.ucla.edu/programs
Don't miss the newly restored MANTRAP (1926), which will premiere at the UCLA Festival of Preservation this March. Â Or any of the several Bow features yet to unspool in January and February. Â
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