For KPCC, then, the question is not whether changing its programming to appeal to an ethnically diverse audience is a good idea. (Everyone at least gives lip service to the idea that it is.) The question is whether three older white guys — Bill Davis, Russ Stanton and Craig Curtis — are the right people to decide what Southern California diversity should sound like.
"You can put someone with a Spanish surname on the air, but I think most importantly you need to have a production team — producers and editors — who have lived this life and intuitively get it," Max Benavidez says.
ILLUSTRATION BY SKIP STERLING
Brand and Martinez.
The co-hosts, Martinez and Brand, in happier times
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Benavidez was project director at Los Angeles Public Media, which was created in 2009 by a $2 million grant from the Corporation for Public Broadcasting very similar to the One Nation grant.
The grant was awarded to Fresno-based Radio Bilingüe, the most successful Latino public radio organization in the country, boasting more than 100 affiliates.
The 2009 grant that created Los Angeles Public Media was trumpeted as "first-of-its-kind, multiplatform" programming for Los Angeles' "young, diverse and underserved audience." A raft of minority journalists were hired.
But the organization could not convince any radio station with a signal in the Los Angeles area to host its programming. First Southern California Public Radio walked away from the project, and the possibility of broadcasting on California State University Northridge's signal fell through, too.
The organization created content for a website called LA>Forward, but in June 2011, Los Angeles Public Media suspended operations. The organization lost its funding when Congress cut $30 million from the CPB's budget last spring — and most digital-only projects got the ax.
The irony about all the trouble KPCC has encountered in its search for a Latino host is this: Back when it was a scrappy college station, KPCC had a hugely successful Latino-hosted show with massive grassroots support. It was called The Sancho Show.
The Sancho Show started as a one-hour program in 1984, but over 16 years on the air grew to six hours. On any given Saturday evening, Daniel Castro would be joined in the booth by 10 to 12 volunteers answering phones.
"I could have all 12 or 15 lines lit up for three hours straight," Castro, a silver-haired college administrator, remembers with a laugh. "We had a following. It wasn't three people listening. We had a following from Santa Barbara all the way to San Diego."
And that was just on the phone lines. "There were times when I could go out in that parking lot and have a parking lot full of low-riders — two or three car clubs would show up. I went out there one time, there was a whole motorcycle club out there. I had Boy Scout troops, USC Latino Alumni Association — it was crazy, folks from all kinds of places would show up," he recalls warmly.
The idea was to play multigenerational music — from bolero to the Texas Tornados, Linda Ronstadt, Canned Heat, Tower of Power, Malo — the kind of stuff the family could sit around and listen to together. That act alone, Castro believed, would strength the family unit and the community.
In 1998, Vice President Al Gore called The Sancho Show "a perfect example of non-elitist public programming." In 2000, KPCC yanked it off the air.
Minnesota Public Radio was taking over the station and transitioning to an all-talk lineup, one that left no room for The Sancho Show.
Castro wasn't even allowed to say goodbye on the air.
When he asked why he couldn't do a final show, as Castro told L.A. Weekly at the time, the general manager said, "We don't believe you need six hours to lament why you're not going to be on the air anymore." Castro added, "That's a quote."
Madeleine Brand, of course, did not get to say goodbye on the air, either. In the same press release announcing her departure, the station added that she'd been replaced:
"89.3 KPCC and Southern California Public Radio announced today that Alex Cohen has been named co-host of its 9 a.m. to 11 a.m. weekday newsmagazine show, joining current co-host A Martínez at the microphone beginning Monday."
The new show settled on the name Take Two, chosen, in part, as a self-aware nod to the show's early stumbles. ("At least they didn't call it 'Take Dos,' " one Latino listener quips.)
This week, Brand started a new job at KCET's public affairs show, SoCal Connected. At a dress rehearsal attended by the media, Brand sat across the table from longtime host Val Zavala, looking almost like a co-host. Her official title: special contributor. Brand will be conducting a nightly interview segment.
The biggest difference between radio and television, Brand tells reporters, is "makeup. I got up in the dark at a quarter of 5 every morning to do my radio show, so not a lot of time to do full makeup."
She declined to discuss her departure from KPCC, other than to say, "Of course I miss radio — I love radio. It's my first and longest-lasting love."
One question that remains is whether KPCC, like The Madeleine Brand Show, will lose all resemblance to its former self as it pivots to attract a new and different audience.