New wave was, of course, the music du jour of the young in the late 1970s and early '80s, and by largely adopting the format, Madame Wong's became a success. (Wong later opened Madame Wong's West in Santa Monica, and it had a successful run before closing in 1991, six years after her Chinatown flagship expired.)
But for the young punks it was Hong Kong Café that was really on the cutting edge. In the wake of Madame Wong's success, the club opened in 1979 to a raucous show by seminal Chicano punk act the Plugz. The two venues quickly developed something of a rivalry, with Wong declaring that any band playing the Hong Kong would be banned from her club, though the venues' differing agendas largely made her threat moot.
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The Hong Kong closed in 1981, but during its short run it made a big impact, featuring important, ground-level punk acts, including the Alley Cats, the Weirdos, Catholic Disciples and the Bags. Filmmaker Penelope Spheeris gathered much of the live footage for her documentary The Decline of Western Civilization on its premises.
But while Madame Wong's remains the era's nostalgic favorite, the Hong Kong has largely faded from memory — except, of course, to those who attended the wild shows there.
"I loved the Hong Kong and thought Wong's was completely bogus," wrote first-wave punk fixture (and former L.A. Weekly jazz columnist) Brick Wahl in 2010.
That's not to say Wong doesn't deserve credit for fostering a raucous music scene in a neighborhood that previously lacked one. "She stuck her neck out," says Peter Case. "There was some real resistance from the neighborhood when she first started, but it didn't seem to bother her. At least she didn't let it show. She was fierce."
Wong also had the foresight to seize upon a mythic time in Los Angeles rock history, and her willingness to be open to fresh music that was far removed from her own life experiences helped transform L.A.'s musical landscape. And for that she should be remembered.
But the "Godmother of punk"? Not even close.