The Yellow Sea Review

Korea's submission for the Foreign-Language Oscar is an ultraviolent illegal-immigrant gangster flick

Treating crime drama like a death cage tournament, rousing, dark-hearted Korean epic The Yellow Sea doesn't know quite when to stop once it begins, which is with an ethnically Korean Chinese cabbie (Ha Jung-woo) traveling to South Korea to find his errant wife and pay off her debt by killing a gangster. Nothing goes according to plan, of course, unleashing a cataract of whackings and wild chases, and setting two rabid crime bosses (Kim Yun-seok and Cho Seong-ha) at one another's throats, in an undulating blood festival of carving knives, hatchets and ka-thunking soup bones. (It's a little tough to keep all of the doomed secondary characters straight, knee-deep as they are in henchmen corpses.)

The Yellow Sea
The Yellow Sea

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Regal Cinemas L.A. Live Stadium 14

1000 W. Olympic Blvd.
Los Angeles, CA 90015

Category: Movie Theaters

Region: Downtown

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Writer-director Na Hong-Jin achieves a vibe of urban desolation right off the bat, and deepens the mayhem with acutely observed and charged details about illegal-immigrant life. If anything, Na's film is too much of a good thing, exceeding credibility too often (the punching-bag hero is far too lucky — good and bad — and absorbs a hilarious amount of punishment) in its pursuit of despairing violence. But that's the Korean way, and Na nails down the bottom-feeder realism while slouching toward video-game hyperbole. —Michael Atkinson (Regal L.A. Live)

 
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Zachary R. Hooker
Zachary R. Hooker

Korea's submission to this year's Oscar competition was actually JANG Hoon's THE FRONT LINE. That being said, THE YELLOW SEA or JOURNALS OF MUSAN would have fared better, in my opinion. The reason offered for not selecting NA's film was the 'excessive' violence. A low-budget indie, MUSAN was not even considered.

But who knows! The Academy may make me eat crow.

 

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