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The Yellow Sea Review 

Korea's submission for the Foreign-Language Oscar is an ultraviolent illegal-immigrant gangster flick

Thursday, Dec 1 2011

Treating crime drama like a death cage tournament, rousing, dark-hearted Korean epic The Yellow Sea doesn't know quite when to stop once it begins, which is with an ethnically Korean Chinese cabbie (Ha Jung-woo) traveling to South Korea to find his errant wife and pay off her debt by killing a gangster. Nothing goes according to plan, of course, unleashing a cataract of whackings and wild chases, and setting two rabid crime bosses (Kim Yun-seok and Cho Seong-ha) at one another's throats, in an undulating blood festival of carving knives, hatchets and ka-thunking soup bones. (It's a little tough to keep all of the doomed secondary characters straight, knee-deep as they are in henchmen corpses.)

Writer-director Na Hong-Jin achieves a vibe of urban desolation right off the bat, and deepens the mayhem with acutely observed and charged details about illegal-immigrant life. If anything, Na's film is too much of a good thing, exceeding credibility too often (the punching-bag hero is far too lucky — good and bad — and absorbs a hilarious amount of punishment) in its pursuit of despairing violence. But that's the Korean way, and Na nails down the bottom-feeder realism while slouching toward video-game hyperbole. —Michael Atkinson (Regal L.A. Live)

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  • The Yellow Sea

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