Serge Gainsbourg at the Movies

The French cult superstar's new biopic leaves out his multidecade, multivalent film career

His interest in filmmaking was revived in the early '80s. In 1983, he traveled to Africa to direct the rarely seen film Equateur, based on a story by French noir maestro Georges Simenon. The production was plagued by problems and an ill Gainsbourg returned to France.

In 1986, taking advantage of a new scandal he had caused by dueting with his young daughter Charlotte on a track called "Lemon Incest," he cast her as the lead in Charlotte Forever, a strangely autobiographical fiction.

He spent the last productive years of his life laboring on another weird personal project, a film called Stan the Flasher, about a middle-aged schoolteacher who's having problems at home and becomes obsessed with exposing himself to one of his students. The film — with a script referencing Shakespeare, Oscar Wilde and Daniel Defoe — premiered in 1990 to befuddled reactions; it's also rarely screened.

When he died, in 1991, alone in his bohemian "personal museum," cared for by a personal valet, Gainsbourg had been working on an adaptation of Robinson Crusoe, in which Friday would be a kindly old black man who has to teach a deranged Crusoe (played by Christopher Lambert, of Highlander fame) about manners and sophistication.

It would have been a fitting cap to Gainsbourg's filmography, a career with too many strange footnotes for simple summarization. The strangest? According to his IMDB entry, Gainsbourg is featured in Jerry Lewis' infamous 1972 Holocaust dramedy, The Day the Clown Cried — a credit that can't be corroborated, as the film remains unfinished and unseen.

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2 comments
Anne_mg
Anne_mg

actually, though Gainsbourg got the credit, i believe it was Jean-Paul Vannier who did most of the composing--the percussion is definitely his. there was an interesting (and long) Q-and-A with Vannier last week @ Cinefamily, where Vannier broke down the credits in detail, basically saying he didn't care, as the movies themselves were so dreadful, but that Gainsbourg got the credit, being the star.

Gustavo Turner
Gustavo Turner

Which movie are you referring to? Vannier was much younger than Gainsbourg and by the time they had started collaborating Gainsbourg had a decade of soundtrack work behind him.

 

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