Your Weekly Movie To-Do List

Catch Bellflower before it wilts

Thurs., Aug. 18

Evan Glodell's apocalyptic, controversy-stirring festival darling Bellflower finishes up at the Regent and the Laemmle Playhouse 7 tonight. This might be your last chance to see what all the fuss was about, so don't miss out.

While we have the Last Chance file open: Raul Ruiz's must-see epic Mysteries of Lisbon is due to close at the Landmark after tonight's 7:30 show, and as of press time it was not scheduled to continue elsewhere around town. Yes, it's more than four hours. Yes, it's worth it.

Fri., Aug. 19

In 1967, Anna Karina, Serge Gainsbourg and director Pierre Koralnik came together to create Anna, the coolest '60s New Wave French movie musical you've never seen. Koralnik's pop confection is hard to find on DVD — lucky for you, Cinefamily hosts a screening tonight at 8 p.m. at the Silent Movie Theatre.

Sun., Aug. 21

UCLA's Nicolás Pereda retrospective continues with Perpetuum Mobile, a meandering, improvised look at life in transition in Mexico City, tonight at 7 p.m.

Production designer Rolf Zehetbauer will be at the Egyptian tonight at 5:30 for a 30th-anniversary screening of Das Boot. Zehetbauer, who won an Oscar for Cabaret, designed the U-96 interiors for Wolfgang Petersen's iconic war film.

 
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1 comments
Franklin Rothschild
Franklin Rothschild

What the fuck?

LA Weekly doesn't even look at its city's own films.

http://www.villagevoice.com/20...

By valuing the complexity of individuals’ stories over superficial competition drama, Born and Bred bucks the unwelcome nonfiction trend fostered by Spellbound. Focusing on three up-and-coming East L.A. pugilists—teenage twin brothers Javier and Oscar Molina, and 13-year-old adoptee Victor—Justin Frimmer’s documentary astutely casts tournament challenges as merely components of a person's larger tale, presenting heartfelt portraits of its subjects that validate clichés about the “sweet science” as a microcosm of day-to-day efforts to survive, thrive, and understand one’s self. In-ring struggles to succeed are conflated with the working-class Latino immigrant experience, with the desire to achieve assimilation visualized by the Molina brothers’ Stars and Stripes-decorated headgear. Shot and edited with the same clean efficiency displayed by its fighters, the film eschews didacticism in favor of non-judgmental empathy for athletes and trainers attempting to transcend class barriers, capturing over the course of five years a stinging sense of lost childhoods spent in service of a brighter future.

 

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Box Office

  1. Star Trek Into Darkness, 70.6 mil, 84.1 mil
  2. Iron Man 3, 35.2 mil, 337.1 mil
  3. The Great Gatsby, 23.4 mil, 90.2 mil
  4. Pain & Gain, 3.1 mil, 46.6 mil
  5. The Croods, 2.8 mil, 176.8 mil
  6. 42, 2.7 mil, 88.7 mil
  7. Oblivion, 2.2 mil, 85.5 mil
  8. Peeples, 2.1 mil, 7.9 mil
  9. Mud, 2.1 mil, 11.6 mil
  10. The Big Wedding, 1.1 mil, 2.2 mil
Movie Title, Weekly Earnings, Total Earnings
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