Also playing Monday: FIRST AID KIT, FARRABY LIONHEART at Largo; EVAN VOYTAS at the Echo; KEVIN BLECHDOM, BACK TO THE FUTURE THE RIDE, UNIVERSAL STUDIOS FLORIDA at Pehrspace.
1154 Glendale Blvd.
Los Angeles, CA 90026
Category: Bars/Clubs
Region: Out of Town
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6215 W. Sunset Blvd.
Los Angeles, CA 90028
Category: Music Venues
Region: Out of Town
TUESDAY/OCTOBER/5
UNIVERSAL STUDIOS FLORIDA, BACK TO THE FUTURE THE RIDE AT ORIGAMI VINYL
Those are not typos above, nor is this entry a lost orphan from our nonexistent travel section. Universal Studios Florida and Back to the Future the Ride are a pair of bands currently trolling the West Coast together on what clearly should have been named the "Cease and Desist" tour. We're not sure how they get away with it, but we're glad they do, as the two previously unaffiliated outfits each trade in sounds rich with nostalgia and a certain wide-eyed magic. U.S.F. hail from Seattle, making music "[not] necessarily representative of the city we're from, but more the places we've been." Naturally, theirs is a sun-kissed, tropical sound with aqueous electronic textures and blissful jams à la Animal Collective. Their indie release, Oceans Sunbirds, is a fine listen, with not a rain cloud in sight. L.A.'s BttFtR features members of the "drum-and-shout" collective Foot Village, but specializes solely in sweet sounds seemingly influenced by Cluster and Eno — happy music, served up minimal and floaty. (Chris Martins)
MARIANNE DISSARD AT THE ECHO CURIO
Marianne Dissard was born in France but lives in Tucson. She hangs out with Calexico, put out a cult-followed album in 2008 and is gonna reissue a second proper album in 2011, along with a film remake of Andy Warhol's sexy western Lonesome Cowboys. But between her two records, Dissard recorded and released the much more low-key Paris One Takes, which in fittingly Fellini-esque fashion she considers her album number 1 1/2. This "intermmediary" work is a little marvel: charming, slow-burning, and with all the right hard edges that set it apart from the more common "wispy French girl" genre. In a world of Jane Birkins and Françoise Hardys (not that there would be anything wrong with such a world), Dissard is a Juliette Greco, with bonus Southwestern spice. It's likely to get scorching in the tiny Echo Curio. Also, fellow chanteuse, artist and Calexico collaborator Françoiz Breut. (Gustavo Turner)
Also playing Tuesday: FIRST AID KIT, BASIA BULAT at the Echo; JENNY & JOHNNY, FARMER DAVE SCHER, WHISPERTOWN at the Troubadour; VAN MORRISON at the Hollywood Bowl; TALVIN SINGH at Echoplex; ANGUS AND JULIA STONE at El Rey; REPEATER at Silverlake Lounge.
WEDNESDAY/OCTOBER/6
MEXICANS WITH GUNS, SALVA AT THE AIRLINER
In an alternate dimension where every child is born wearing a lucha libre mask and the Top 40 is divided into charts with names like Zacatecas Glitch, Son Jarocho de House and Norteño Crunk, a single man looms large over the entirety of Western music, and his name is, oddly enough, Mexicans With Guns. In our own dimension, there's a fella called Ernest Gonzales. He runs a legit San Antonio electronic label called Exponential and makes gorgeous recordings of his own — highly musical digital pieces that vacillate between ambient and orchestral. Sometimes he dons a wrestling mask and steps through a wormhole. And when he does, the earth shudders. Big bass, barking dogs, cowbell, hand claps, sizzling lo-bit synths, roiling southwestern guitars, shotgun blasts, and lovely ladies cooing "Damelo" (give it to me). Such is the stuff of Mexicans With Guns, a project that imagines Low End Theory relocated to the heart of Ciudad Juárez. These are musical borders that need to be crossed. (Chris Martins)
Also playing Wednesday: TERA MELOS, SKINWALKER at the Bootleg; COCOROSIE at the Music Box; BROKEN BELLS at the Wiltern; NIGHTMARE & THE CAT at Spaceland; PETER WOLF at Largo.
THURSDAY/OCTOBER/7
LISSIE, DYLAN LEBLANC AT THE TROUBADOUR
To those who say songwriting is a lost art, I submit Lissie. Born Elisabeth Maurus in Rock Island, Illinois, she came up in musical theater as a child but eventually ditched the costumes and spotlights for an acoustic guitar and the ambience of coffee shops. But lest you assume Lissie is just another in a long line of bathetic, navel-gazing singer-songwriters, think again. Her list of latter-day credits and accomplishments is bizarrely diverse — opening for Lenny Kravitz, covering Kid Cudi, writing with Ed Harcourt, being remixed by DeadMau5 — but not exactly misleading. While her taste never strays far from Americana, her approach is wildly varied. Her full-length debut for Fat Possum, Catching a Tiger, changes its tack with almost every song, bouncing between Dolly Parton pop, bluesy shredding, Lilith Fair — erm — fare, malt-shop nostalgia and Willie Nelson acoustic country. Oh, and she can sing like the devil in a country dress (though she prefers blue jeans). (Chris Martins)
CULTURE COLLIDE FEST AT SPACELAND AND OTHER VENUES
If there's a thread weaving through that connects the gargantuan jumble of bands playing at Filter mag's Culture Collide festivities, we're not sure what it is. And that no doubt is the point. All righty, this fest says, "We are the world when we're united in song," or something a tad less corny, but just lookit all the countries contributing bands to this outrageous gathering: Greenland, Ireland, the Netherlands, Canada, Israel, Sweden, Poland, the U.K. and the good/bad ol' USA, and Norway, even, and too many more to fit this space. The Echo, the Echoplex, the Standard Hotel, Taix French Restaurant and several other venues will host the events, running Oct. 7-10. See culturecollide.com. (John Payne)
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