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Manny Mania

No, not Manny RodriguezManny Pacquiao, probably the world's greatest contemporary boxer. Pacquiao, who beat Joshua Clottey at Cowboys Stadium in Dallas last Saturday night, now turns his attention to perhaps the biggest fight yet — to become a congressman in his native Philippines. Weekly staffer Gendy Alimurung, who interviewed Pacquiao in tagalog, profiled the Pacman for last week's cover story ("The Fight of His Life," March 11), and the response is much like the response to Manny himself — big.

"BRAVO!" writes Vhon. "AMAZING AMAZING AMAZING ARTICLE," says John F. Many of the commenters added the word "man," as with this one, from Don, "Great article, man! You write good!" or this one, from Pangit: "I salute you, man." So let's get one thing straight, guys: Alimurung is no mere man, she's a young woman. But she knows her Pacquiao.

As reader Richard attests: "I have read so many articles about Manny Pacquiao and this is by far the best one. I can imagine the things in real life while reading every word. The details that you wrote are really amazing. Great work!"

Kimmy is fairly new to the fight scene: "I began following boxing only three years ago because of Manny Pacquiao. My grandmother is half Filipino, thus the fascination about the Pacman. I read a lot of articles about him but this one almost brought tears to my eyes. So funny and yet inspiring. We visit relatives in the Philippines once in a while, so I can understand the poverty Manny had to endure. And to rise above all that to be what he is today is a great story worthy of being told again and again. Well done and thank you for this brilliant piece."

"Wonderful story about an amazing man," writes the intriguingly monikered Croak. "Hope he gets out of the ring soon and uses his many talents to make the world — and the PI [Philippines] — a better place."

Freemanrockin comes a knockin': "This has got to be one of the best articles I've read about Manny ever since I've surfed the net. Whoever wrote this, you almost got me thinking I was reading a novel here, thanks. You should be one who could do his bio some day."

Great idea, Freemanrockin! But before we get carried away, a reader calling him- or herself gl21 swoops in to bring us back to his/her idea of Earth: "Don't let me spoil your party, but boxing (and UFC) is the only 'sport' that deliberately intends to injure someone else and where the winner is proud of knocking another person into unconsciousness. There is also no question re brain damage in most of these people. You rave about his 'escape from poverty,' yet this way is worse than being a marijuana dealer."

Them's fightin' words, gl21! Good reader Carl has a different view: "[Speaking] as a Filipino growing up in America, Manny Pacquiao gives us cultural background we can be proud of. He's like our Barack Obama, Kobe Bryant and Michael Jackson all rolled up in one."

It's not just Filipino-Americans, however, who are proud of Pacquiao and who read this story. "Here in Saudi Arabia," writes SaudiFil, "Pacman is popular also [among] native Arabs. As Pacman said, You don't have to ask for money or help. You have to work hard for them. Filipinos are hardworking people."

Amelito Ultra writes to us from Kuwait: "Yap it is true that peoples of all walks of life want [to] share the success of Pacman. Even me, working here in Kuwait, want to be [at] one of Pacman's fights some day. But the burden for me is for the ticket; if Pacman send me a ticket it is my honor and I will be seeing Pacman fight personally at ring side."

Pacman, are you listening?

Final word on this subject from Dave: "Manny is bigger than boxing or politics. He has always lent a helping hand to many people here (Fil-Ams) and abroad. Hopefully the people around him will learn something from him, instead of taking from him.

"You've made us proud Manny, keep doin' ya thing! When you get tired of the politics back in Pinas, try it over here in L.A. This will always be your second home."

NOTORIOUS D.E.A.D.
Sometimes we get letters that just deserve to be shared, that function as criticism, that add to the dialogue. Meet Tom Smith, responding to Gustavo Turner's blog post "Reminder to LAPD: The Notorious B.I.G. Was Murdered Here 13 Years Ago" (March 9):

"Inglorious PIG was overrated. Exploiting the worst of black culture while ripping off hits of the past, Wallace ... will be forgotten. Chuck D, for example, is 10 times the rapper and man the crack ho Wallace was. Why is it that the worst of our culture — such as violence, misogyny, drug abuse, gangsterism, low-class materialism and ghetto exploitation with little to no redeeming value — is rewarded? Raps about killing pregnant women should be abhorrent in a society with any sense of taste or morals. AND NOW HE'S DEAD, because any ass who doesn't realize that 'playing gangster' will leave you with bullets in your ass is just a shortsighted fool. It's not that hard to take some nursery rhymes and set them to actual song hits written by others, but there are thousands of others who do it better who are not rewarded because they don't exploit the worst in black culture. Robert Haas, look out, Deleterious DIC made the 'S car go' joke! Gwendolyn Brooks, turn in your pen. Wanda Coleman, all your excellent writing is nothing compared to the moneymaking assholes of this world! Could Wallace read or write musical notation? Play an actual instrument? His talent was marginal but the apologists apparently have to have their martyr."

OH YES, WE WANT YOUR LETTERS
Send to readerswrite@laweekly.com with your name and contact info.
 
  • Ira Ingber 03/24/2010 8:29:00 AM

    To the editor: I was troubled by Christine Pelisek’s March 18 article “The Mad Men of Los Angeles” — a rather one-sided specimen of gotcha journalism. It’s fueled by the presumption that ad graphics, on any scale, necessarily equals blight. There are really two issues here: content and legality. If Pelisek and her high-minded activists want to argue about what constitutes urban blight, they should at least offer an opposing view: Speak to theorists who deem such posters & billboards a source of city-street adrenalin that often adds visual interest to otherwise ugly architecture. (In fact, why not go after the truly-rich mercenary developers whose hack architects scar the cityscape unto eternity. Posters have the virtue of never being permanent, and are dynamic by definition.) Look at Times Square, or Tokyo's vibrant neon heart, or Parisian ad kiosks... whose dynamism is to a large extent commercial & profit-seeking. Ask daily commuters how much they mind the printed surfaces that morph weekly and make their grind through traffic a little less monotonous. Advertising, as a broad component of pop culture, has always been ubiquitous in the city environment, and has recently extended onto our own smartphone screens. Rapid-cycle messaging, checkered with consumerist hypnoptics, is an essential element of 21st century life. Most of what is seen in the streets are rock & film posters — which some collectors who consider them to be a legitimate art form eventually pay top dollar for. Why is blank plywood around a construction site preferable to the visual energy, and cultural stimulus, of that signage? Why is advertising imagery only palatable after it has made its way into museums and galleries? One woman’s blight is another man’s Warhol. It's related to the debate over graffiti—urban decay or exuberant free expression? Not nearly as black and white as Pelisek’s reporting suggests. Nor as consistent: The LA Weekly itself emblazons its 10-foot-high logo at the northbound 405 on its Mar Vista office building, and has advertised on everything from bus benches to news-vending boxes. Blight? As for legality, it’s interesting to look back at the years of Weekly championing of such midnite-marauding artists as Robbie Conal, Banksy, Blek Le Rat, and Shepard Fairey (who has made a fortune on work that his early guerrilla activities boosted). I happen to admire and endorse their art, but what I question is the Weekly making itself the righteous, bullying arbiter of when it’s okay to engage in illegal placement of graphics and when it’s not—depending on whether the political or aesthetic agenda is compatible with its own. Sincerely, Ira Ingber Los Angeles

  • Star Harris 03/23/2010 1:09:00 AM

    To Whom It May Concern: This letter is being written to inform you that today There will be a Civil Unlimited Law Suite filed regarding myself against the City of Long Beach and the Long Beach Police Department, due to negligence, a many Civil Rights violations. After sweeping a violent Hate Crime under the rug for more than 6 years. My community, the entire City of Long Beach and Los Angeles County will finally be aware of the Unreported Hate Crime which took place in the City of Long Beach against myself, an openly gay African American Woman. A city that has firmly supports the LGBT community, A city which holds one of the LGBT communities biggest events, “Gay Pride” denied Star Harris her rights, after being a victim of a violent Hate Crime. (www.you tube.com/711star) Star Harris has failed to receive justice yet has continuously been victimized in City Council Meetings, and defamed in local magazines. When will a Long Beach finally take responsibility for what she has endured? How does a police officer visit a victims hospital bed to take a police report, and not ever file the actual report? Why was no one held responsible and accountable? Today I Star Harris, am beginning the long and grueling battle to seek justice.

  • mike 03/22/2010 10:08:00 PM

    Wow Manny RODRIGUEZ! OR RAMIREZ!!!! WHO WRITES THESE THINGS!

  • NreeK 03/19/2010 10:43:00 PM

    Who's Manny Rodriguez ???

  • sistona 03/19/2010 9:42:00 AM

    Very nice article by Gendy.Can you please send my congratulations and how can I get her authograph?I saved a copy of her article about the Pac-Man. Thank you.

  • JM 03/18/2010 6:03:00 PM

    I just searched on You Tube all of PAC's past fights against the asian greats when he was still in his teens and early tweenties. I noticed all these fight outcomes that are happening recently are just a replay of what happened in those fights. Deja vu but with a bigger more glitzier audience. If you listen closely to the commentators, you would hear almost the same comments. Check all the Japanese, Thai, Korean and Filipino opponents in the past and one way or another they have similar styles to recent Pacquiao's vanquished foes. Theres one Thai boxer that fights almost the same as Mayweather. He got floored on the 7th. Even from the past fights this guy Pacquiao already exhibited different styles to suit to the opponent he is facing. I think what he has now is just a refinement of all his past skills molded with much great help fom the Master.

 

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