GO SIKANDAR A simple, cautionary tale gone berserk with potboiling twists and a moral ambition as lush and layered as the Kashmir Valley, Sikandar reveals itself to be both a corking narrative and a cogent sketch of the region’s cycle of violence. The title character (played by Parzan Dastur) is a 14-year-old orphan living in Jammu and Kashmir, India, who loves soccer, is devoted to his aunt and uncle, and has three schoolyard bullies on his jock. When he comes across a handgun in the forest on his way to school with his friend and conscience, Nasreen (Ayesha Kapoor), it functions as a kind of magical amulet: Wave it in the air, and all of life’s torments disappear. But the gun attracts as swiftly as it repels, and soon a militant leader is attempting to recruit Sikandar, after plying him with a little firearms-related bonding, to assassinate a local politician. The film’s obvious warning — Kids, for the love of Allah, don’t play with guns! Or Jihadis! — is actually a springboard into a sweaty maze of political intrigue. Despite the cliché-riddled translation and supercorny sound design, writer-director Piyush Jha presents an affecting account of the Kashmir conflict through the struggles of its children. The burden of peace falls on their shoulders, Jha suggests, because the world of adults is a world gone mad. (Naz 8) (Michelle Orange)
X GAMES 3D: THE MOVIE No one expects a film titled X Games 3D: The Movie to be The Hurt Locker of action-sports documentaries — i.e., a sober dissection of the adrenaline junkies who make their living executing death-defying stunts on skateboards and motorcycles — but still, director Steve Lawrence’s glitzy infotainment begs the question, “How much awesomeness can an audience take?” Chronicling the titular Games, an annual Olympics of extreme sports that have made athletes like Tony Hawk millionaire icons, this stereoscopic 3-D documentary segues between cursory profiles of the sport’s major figures and footage from the competitions. Although the novelty of 3-D adds some drama to the contests, your snazzy glasses do nothing to block out the inanity that comes from the mouths of the participants, the play-by-play commentators, and narrator Emile Hirsch, who all endlessly remind us that action sports are about pushing boundaries and/or testing limits and/or living life on the edge. Since none of the on-camera subjects register as anything more than mass-marketed symbols of youthful rebellion, it’s damn near impossible to care who wins. Not that it really matters — the real victor is the film’s distributor, Disney, which conveniently owns ABC and ESPN, the two channels that broadcast the X Games every year. Synergy — now that’s awesome! (Citywide) (Tim Grierson)
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