Los Angeles Film Festival: Reviews, A to Z

All Tomorrow's Parties

Born Without

Related Content

• Bronson Bared
  January 5, 2012
• New School Cocktail Makers Bend the Law: Bartenders' Launch Movement to Legalize it
  September 19, 2011
• Radio Room Returns to The Edison: Tonight!
  September 6, 2011
• Governor Brown Lifts Ban on Infused Alcohol
  September 22, 2011
• In the Eye of the Beefholder: Meat-themed Art Show Opens Thursday
  March 3, 2011

More About

• Josh Harris
• Jose Flores
• Charles Bronson
• Charlyne Yi
• Martin Strel

CRITIC’S PICK  WE LIVE IN PUBLIC (USA) Winner of the Grand Jury Prize at this year’s Sundance Film Festival, director Ondi Timoner’s remarkable documentary follows obsessive self-documenter Josh Harris on his decadelong odyssey from multimillionaire Internet pioneer and Manhattan art-world cause célèbre to bankrupt (financially and emotionally), mentally unhinged exile. In 1999, before reality TV boomed or the words MySpace, Facebook and YouTube had entered the lexicon, Harris signed on for privacy-free life by launching the underground art project Quiet: We Live in Public, in which 100 like-minded exhibitionists lived for 30 days in open cells under the constant scrutiny of video cameras and Orwellian interrogators. Timoner (DIG!) was there from the start, and she stuck around for Harris’ equally catastrophic second act, in which he and his then-girlfriend equipped their apartment with wall-to-wall surveillance cameras and proceeded to live their lives, for your viewing pleasure, at the Web site weliveinpublic.com. Harris’ gradual implosion is both repellent and mesmerizing, Timoner’s film unsparing in its scrutiny. She films, therefore he is. (Mann Festival; Sun., June 21, 7:15 p.m.; Landmark, Wed., June 24, 9:30 p.m.) (SF)

GO  ZERO BRIDGE (USA) A tentative love story set in an uncertain region — Indian-occupied Kashmir — Zero Bridge packs an impressive emotional wallop despite its slim narrative and nonprofessional actors. Writer-director Tariq Tapa follows the unhappy lives of two strangers — shady teen schemer Dilawar (Tapa’s cousin, Mohamad Imran Tapa) and beautiful Bani (computer-science student Taniya Khan), who doesn’t realize he’s the culprit behind her recent pickpocketing. Without underlining his every intention, the filmmaker uses Kashmir’s poverty and crumbling infrastructure as fitting metaphors for a budding friendship that could blossom into something more if only the characters, like their homeland, could somehow catch a break. (Regent, Sat., June 20, 4:30 p.m.; Landmark, Wed., June 24, 7 p.m.) (TG)