After Monkeybone, which didn’t do well with critics or the public, you said in an interview that you learned that you needed to “stay the hell away from live action and Hollywood,” and that you “shouldn’t challenge the audience too much unless you’re doing it on a really low budget.”
I’m meant to be an animation director. That world, and the culture of stop-motion, is where I want to live. It’s more my problem than Hollywood’s. I’m not attuned to Hollywood.

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