Holy Moly, Lounge Lizards! A Depression? Layoffs? The crisis of the century? Let’s party! The 30th annual L.A. Weekly Theater Awards (The Arts Crisis Edition) is coming to the El Rey, in L.A.’s beautiful Miracle Mile on Monday night, March 30, 2009. That’s 5515 Wilshire Boulevard, two and half blocks west of La Brea.
Okay, James Dean wannabes and Marlon Brando worshippers, or, if you can’t get enough I Love Lucy reruns without needing medication, this is your night! Get out those black leather jackets, shine those saddle shoes, drag out that poodle skirt you found on eBay, and get ready to jive with all the cool cats. ’Cause the El Rey is going to be as sizzling as the Sahara in Las Vegas, circa 1958, as the King and Queen of the Lounge, Louis & Keely (a.k.a. Jake Broder and Vanessa Claire Smith) host the Weekly’s 30th annual celebration of L.A.’s best intimate theater, produced between January 1 and December 31, 2008.
It’ll be cabaret seating, as co-hosts Broder and Smith reprise the repartee and show numbers from their hit prize-winning musical, Louis & Keely: Live at the Sahara.
Nominees get in free, $20 for their guests and the public. All tickets include table service, a pay-as-you-go bar, and a post-show reception.
Doors open at 6:30 p.m., show starts at 7:30 p.m.
Remember, it’s 1958. If you dress like you live in the 21st century or something, you’ll just look like an alien, and people will stare! Don’t be embarrassed, be cool, and be there. ’Cause what will people say if you’re not?
NOMINEES (see list below): To RSVP, call (310) 574-7208.
ALL OTHERS: There will be an online booking link coming this week, stay posted. For more info, call (310) 574-7208.
You’re a nominee if your name appears on the list below, or if you were listed in a program as a producer, artistic director, actor, director, composer, choreographer, stage manager or designer for shows listed in the following categories: Production of the Year, Revival Production, Musical of the Year.
Also, you’re a nominee if you were listed in the program as an actor in any of the shows listed in the ensemble categories or Two-Person Performance category.
Finally, you’re a nominee if you were listed in the program as a producer, artistic director or designer for shows listed in the Production Design category.
The 30th annual nominees are:
PRODUCTION OF THE YEAR
My Antonia, Pacific Resident Theatre
1001, Theatre @ Boston Court
Song of Extinction, Moving Arts at [Inside] the Ford
REVIVAL PRODUCTION OF THE YEAR (of a 20th- or 21st-century work)
Betrayal, Andak Stage Company at the New Place Studio Theatre
James Joyce’s The Dead, Open Fist Theatre Company
Klüb, Actors Gang
MUSICAL OF THE YEAR
Assassins, West Coast Ensemble at the El Centro Theatre
Great Expectations, Hudson Backstage Theatre
Gulls, Theatre @ Boston Court
Hedwig and the Angry Inch, MET Theatre
Joe’s Garage, Open Fist Theatre Company
Louis & Keely: Live at the Sahara, Sacred Fools Theatre/Matrix Theatre
Lovelace: A Rock Opera, Hayworth Theatre
Pest Control: The Musical, Open at the Top Productions at the NoHo Arts Center
1776, Actors Co-op
DIRECTION
L. Flint Esquerra, The Bones of Lesser Men, MET Theatre
John Langs, The Sequence, Theatre @ Boston Court
Derek Charles Livingston, M. Butterfly, Chandler Studio Theatre Center
Jon Lawrence Rivera, Sea Change, Gay and Lesbian Center
Stephen Sachs, Victory, Fountain Theatre
Scott Schwartz, My Antonia, Pacific Resident Theatre
Scott Alan Smith, Lady, Road Theatre Company
DIRECTION OF A MUSICAL
Kevin Cochran, R.R.R.E.D. — The Redhead Musical Manifesto, Grove Theater Center
Richard Israel, Assassins, West Coast Ensemble at the El Centro Theatre
Richard Israel, 1776, Actors Co-op
Jessica Kubzansky, Gulls, Theatre @ Boston Court
Scott Leggett, Beaverquest! The Musical, Sacred Fools Theatre Company
Charles Otte, James Joyce’s The Dead, Open Fist Theatre Company
Pat Towne, Joe’s Garage, Open Fist Theatre Company
Ken Sawyer, Lovelace: A Rock Opera, Hayworth Theatre
COMEDY DIRECTION
Darin Anthony, U.S. Drag, Furious Theatre Company at the Pasadena Playhouse
Chris Covics, Fables du Theatre, Unknown Theatre
Ian Forester, Fatboy, NeedTheater at the Imagined Life Theatre
Robert McCaskill, The Common Air, Asylum Theatre
ONE-ACT DIRECTION
Gary Blumsack, Sexy Laundry, The Hayworth Theatre
MUSICAL DIRECTION
Kevin Cochran, R.R.R.E.D. — The Redhead Musical Manifesto, Grove Theater Center
Steven Ladd Jones and Billy Thompson, American Tales, Deaf West Theatre
Dennis Kaye, Louis & Keely: Live at the Sahara, Sacred Fools Theatre/Matrix Theatre
Johanna Kent, 1776, Actors Co-op
Dean Mora, James Joyce’s The Dead, Open Fist Theatre Company
ENSEMBLE
The Bones of Lesser Men, MET Theatre
Bouncers,The Lost Studio
Coffee Will Make You Black, Celebration Theatre
The Friendly Hour, Road Theatre Company
He Asked for It, Theatre of NOTE
James Joyce’s The Dead, Open Fist Theatre Company
The Mission(Accomplished), City Garage
Sea Change, Gay and Lesbian Center
The Sequence, Theatre @ Boston Court
Victory, Fountain Theatre
MUSICAL ENSEMBLE
Assassins, West Coast Ensemble at the El Centro Theatre
Joe’s Garage, Open Fist Theatre Company
Louis & Keely: Live at the Sahara, Sacred Fools Theatre/Matrix Theatre
Lovelace: A Rock Opera, Hayworth Theatre
1776, Actors Co-op
COMEDY ENSEMBLE
Beverly Winwood Presents the Actors Showcase, Groundling Theatre
Dog Sees God: Confessions of a Teenage Blockhead, Havok Theatre Company at the Hudson Backstage Theatre
Fatboy, NeedTheater at the Imagined Life Theatre
Stupid Kids, Celebration Theatre
U.S. Drag,Furious Theatre Company at the Pasadena Playhouse
ONE-ACT ENSEMBLE
The Lost Plays of Tennessee Williams, Gay and Lesbian Center/Coast Playhouse
The Loves of Alonzo Fitz(from American Tales), Deaf West Theatre
LEADING FEMALE PERFORMANCE
Colleen Crabtree, Regretrosexual: The Love Story, Hudson Guild Theatre
Katie Davies, U.S. Drag, Furious Theatre Company at the Pasadena Playhouse
Gillian Doyle, Mrs. Warren’s Profession, The Production Company at the Chandler Studio Theatre Center
Megan Goodchild, U.S. Drag, Furious Theatre Company at the Pasadena Playhouse
Tinashe Kajese, Victory, Fountain Theatre
Kate Mines, The Friendly Hour, Road Theatre Company
Anne Noble, The Friendly Hour,Road Theatre Company
LEADING MALE PERFORMANCE
Joe Egender, He Asked for It, Theatre of NOTE
Morlan Higgins, Victory, Fountain Theatre
Ben Hunter, Crime and Punishment, Actors Co-op
Darrell Kunitomi, Song of Extinction, Moving Arts at [Inside] the Ford
J. Manabat, M. Butterfly, Chandler Studio Theatre Center
Shawn Michael Patrick, Lady, Road Theatre Company
Sam R. Ross, M. Butterfly, Chandler Studio Theatre Center
SUPPORTING FEMALE PERFORMANCE
Hannah Chodos, Klüb, Actors’ Gang
Johanna McKay, U.S. Drag, Furious Theatre Company at the Pasadena Playhouse
Grace Wall, Gulls, Theatre @ Boston Court
Bettina Zacar, The Friendly Hour, Road Theatre Company
Beth Tapper, Klüb, Actors’ Gang
SUPPORTING MALE PERFORMANCE
Stewart W. Calhoun, How Cissy Grew,El Portal Forum Theatre
Mark Doerr, Lady, Road Theatre Company
Matt Kirkwood, Lady, Road Theatre Company
Matt Lutz, 1776, Actors Co-op
David Nadeau, Assassins, West Coast Ensemble at the El Centro Theatre
Christopher Neiman, He Asked for It, Theatre of NOTE
Skip Pipo, Mrs. Warren’s Profession, The Production Company at the Chandler Studio Theatre Center
Paul Witten, Crime and Punishment, Actors Co-op
TWO-PERSON PERFORMANCE
Blake Anthony and Josh Gordon, In On It, Chandler Studio Theatre Center
Colleen Crabtree and Dan Rothenberg, Regretrosexual:The Love Story, Hudson Guild Theatre
Paul Ben-Victor and Frances Fisher, Sexy Laundry, Hayworth Theatre
Larry Thomlinson and Walter Williamson, True Love, The Complex
SOLO PERFORMANCE
Alex Lyras, The Common Air, Asylum Theatre
Jay Sefton, The Most Mediocre Story Never Told, Meta Theatre
FEMALE COMEDY PERFORMANCE
Christine Lakin, Dog Sees God: Confessions of a Teenage Blockhead, Havok Theatre Company at the Hudson Backstage Theatre
Rebecca Jordan, Fatboy, NeedTheater at the Imagined Life Theatre
MALE COMEDY PERFORMANCE
Jeff Atik, The Bourgeois Gentilhomme, City Garage
Richard Kind, Adam Baum and the Jew Movie, Hayworth Theatre
Jaden Leigh-Dinsmore, Dog Sees God: Confessions of a Teenage Blockhead, Havok Theatre Company at the Hudson Backstage Theatre
Alexander Wells, Fatboy, NeedTheater at the Imagined Life Theatre
MUSICAL PERFORMANCE
Jake Broder, Louis & Keely: Live at the Sahara, Sacred Fools Theatre/Matrix Theatre
Chuck DiMaria, Hedwig and the Angry Inch, MET Theatre
Katrina Lenk, Lovelace: A Rock Opera, Hayworth Theatre
Patrick Livingston, R.R.R.E.D. — The Redhead Musical Manifesto, Grove Theater Center
Vanessa Claire Smith, Louis & Keely: Live at the Sahara, Sacred Fools Theatre/Matrix Theatre
Katie Thompson, R.R.R.E.D. — The Redhead Musical Manifesto, Grove Theater Center
ONE-ACT PERFORMANCE
Bryan Foyster, The Lost Plays of Tennessee Williams (And Tell Sad Stories of the Death of Queens), L.A. Gay and Lesbian Center/Coast Playhouse
Morlan Higgins, Finally, Black Dahlia Theatre
Jack Heller, The Lost Plays of Tennessee Williams (Mister Paradise), L.A. Gay and Lesbian Center/Coast Playhouse
Melissa Lechner, The Lost Plays of Tennessee Williams (Mr. Paradise), L.A. Gay and Lesbian Center/Coast Playhouse
Timothy V. Murphy, The Lost Plays of Tennessee Williams (The Palooka), L.A. Gay and Lesbian Center/Coast Playhouse
Chris Rydell, The Lost Plays of Tennessee Williams (And Tell Sad Stories of the Death of Queens), L.A. Gay and Lesbian Center/Coast Playhouse
PLAY WRITING
Susan Johnston, How Cissy Grew, El Portal Forum Theatre
Richard Martin Hirsh, The Concept of Remainders, The Production Company at the Chandler Studio Theatre Center
Robert Riechel Jr., Eat the Runt, Hudson Guild Theatre
Dan Rothenberg, Regretrosexual: The Love Story, Hudson Guild Theatre
Nick Salamone, Sea Change, Gay and Lesbian Center
CAREER ACHIEVEMENT
QUEEN OF THE ANGELS
Frederique Michel and Charles Duncombe
PRODUCTION DESIGN
Crime and Punishment,Actors Co-op
Fatboy, NeedTheater at the Imagined Life Theatre
Il Bidone, Rushforth Productions at Bootleg
Joe’s Garage, Open Fist Theatre Company
Sexy Laundry, Hayworth Theatre
The Sequence,Theatre @ Boston Court
U.S. Drag, Furious Theatre Company at the Pasadena Playhouse
ADAPTATION
Charles Duncombe, The Mission (Accomplished), City Garage
Margaret Hoornerman, Great Expectations, Hudson Backstage Theatre
Patrick Mapel, Il Bidone, Rushforth Productions at Bootleg
Nick Salamone, Gulls, Theatre @ Boston Court
LIGHTING DESIGN
Teresa Enroth, James Joyce’s The Dead, Open Fist Theatre Company
Cricket Sloat, Joe’s Garage, Open Fist Theatre Company
Jeremy Pivnick, Gulls, Theatre @ Boston Court
John Sylvain, 43 Plays for 43 Presidents, Sacred Fools Theatre Company
COSTUME DESIGN
Alex Jaeger, Gulls, Theatre @ Boston Court
Jason Truco and Kishu Chand, Il Bidone, Rushforth Productions at Bootleg
Josephine Poinsot, The Bourgeois Gentilhomme, City Garage
Christina Wright, James Joyce’s The Dead, Open Fist Theatre Company
SET DESIGN
Stephen Gifford, Lady, Road Theatre Company
Dan Jenkins, U.S. Drag, Furious Theatre Company at the Pasadena Playhouse
Mark Mendelson, Fatboy, NeedTheater at the Imagined Life Theatre
Keith Mitchell, The Concept of Remainders, The Production Company at the Chandler Studio Theatre Center
Jeff G. Rack, Joe’s Garage, Open Fist Theatre Company
SOUND DESIGN
Fionnagan Murphy, Il Bidone, Rushforth Productions at Bootleg Theatre
Ken Rich, The Common Air, Asylum Theatre
Paul Rubenstein, The Mission (Accomplished), City Garage
CHOREOGRAPHY
Allison Bibicoff, 1776, Actors Co-op
Jennifer Lettelleir, Joe’s Garage, Open Fist Theatre Company
Jennifer Li and Kathryn Burns, Freak Dance: The Forbidden Dirty Boogaloo, Upright Citizen’s Brigade
MASK DESIGN
Charles Duncombe, Les Bourgeois Gentilhomme, City Garage
PUPPET DESIGN
Michael Franco and Jeff G. Rack, Joe’s Garage, Open Fist Theatre Company
ORIGINAL MUSIC
Okulus Anomali, Il Bidone, Rushforth Productions at Bootleg Theatre
Maurice McIntyre, Gulls, Theater @ Boston Court
Ken Rich,The Common Air, Asylum Theatre
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