With the paintings, it wasn’t just that they talked about them. She had an enormous role even with regard to the subject matter, an increasingly strong role. She would suggest that he put particular objects in the paintings, especially things from their garden. He literally would say, “What should I paint next?” Or “What should go here?” She would often tell him when to stop a painting, that it was basically finished and he should let it go, whereas he might want to fiddle a little more. Even those notes in the paintings are often actually Patricia’s words that he appropriated and used as a message to himself.
Robert Walsh is legal affairs editor for Vanity Fair and editor of the expanded edition of Manny Farber’s Negative Space.
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