Old-school hog farming makes a comeback, thanks to some fine swine from Frankenstein.
Here's how you become one of those people who screams at his kid's coach.
Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.
First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.
With situations and laughlines that appear to veer between the real and the devised, the result is a show that puts a brilliantly dirty and observationally astute comedy mind at the service of an increasingly tired template of show-biz wackiness, with all the off-and-on success rate that combo entails. Then, again, this was Cho’s struggle in the early ’90s with her ABC sitcom All-American Girl, a landmark series for being the first to feature an Asian-American front and center — but all too common in that Cho’s vision was summarily chipped away by the network, which told her she wasn’t Asian enough or slim enough to play herself. How she bounced back from that groundbreaking but soul-crushing experience — starting with airing it all out in hilarious and poignant fashion in her concert film I’m the One That I Want — was what set her on the path to alterna-comedy goddess-hood and truth-talking independence.
No one’s telling her what to do or say anymore, but it’s hard not to look at The Cho Show as the celebreality-era redo of All-American Girl. And what’s more all-American than wanting to try, try again?