Making Fiends: Amy Winfrey's Animated Vendetta

The city of Clamburg is overrun with fiends. In the world of Amy Winfrey’s Web series Making Fiends, the titular fiends are diabolical creatures with a taste for havoc. There are fiends in the school classrooms and on the playgrounds. There is even a giant red-cat fiend that terrorizes the citizens, eats a few pianos and streetlamps, then runs away. (Think of him as a twisted cross between Hayao Miyazaki’s Totoros and David Horvath’s Ugly Dolls.) The fiends are cooked up by a wicked little girl named Vendetta, mainly to torment her too-cheerful adversary, Charlotte. They are classic foils for each other, these little girls — evil and good, hatred and love — and make for nice drama and ironically funny dialogue. Vendetta tends to say stuff like, “Come to Charlotte’s birthday party, or you will be shot,” and “I have something special for you. Superbig fleas, with knives.”

 

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Sweetness and blight: Amy Winfrey and her fiends prepare their Nickelodeon attack.

 

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Yet, in the same vein of critical thought that says Hamlet is basically a vehicle for Rosen­crantz and Guildenstern, you could say that Charlotte and Vendetta are basically a vehicle for the fiends.

Winfrey has been drawing these fiend-type creatures for approximately forever. While her roommates at UCLA were cramming for science exams (Winfrey was pre-med at one point and eventually switched to animation), she was sketching fiends. She is the owner of volumes of tiny sketchbooks, each barely bigger than a cocktail napkin, brimming with creatures. She puts one on her living room coffee table, tucks a wisp of blond hair behind her ear and flips through the pages. Her fingers are delicate. Out of this soft-spoken, shy girl tumble armies of fiends. She sketches them at cafés or while watching TV, then hands over the sketchbooks to her friend Aglaia Mortcheva, the show’s character designer. Mortcheva picks out the most promising fiends and scans them in to be inked and colored, which is appropriate, since Mortcheva also happens to be the voice of Vendetta.

“That is Aglaia’s speaking voice,” Winfrey says. “She really does have an eastern Bulgarian accent. But she doesn’t sound that angry, usually.”

Personality-wise, Winfrey is 70 percent Charlotte, 30 percent Vendetta. Aglaia is a touch more Vendetta, Winfrey allows, “But I won’t say how much, or she might hurt me.”

Does Winfrey have a favorite fiend? How to choose? Fiends come shaped like scissors, beavers and rabbits. Kittens, eels and sugar cookies. Sweaters, croissants and topiaries. Even vegetables. Winfrey wanted to do an episode in which vegetables scream, “There is nothing better than screaming broccoli!”

Vegetable fiends are up there, she says, pulling up the episode on the computer. The intro — the musical equivalent of tiptoeing down a creepy, dark hallway — swells, with Charlotte singing in a quavery, saccharine-sweet voice. Winfrey’s speaking voice is softer, deeper — and doesn’t make you want to kill yourself from cupcake-rainbow-bunny-rabbit overload. Though if you listen closely, you can hear Charlotte’s squeaky, indefatigably cheery “hee hee!” in Winfrey’s laugh.

“How did Vendetta learn to make fiends?” people often ask. Is she a witch? A voodoo sorceress? No one knows. We do know that she uses a recipe book and bakes each in her kitchen. Perhaps all will be revealed this October, when TV-length episodes of Making Fiends begin airing. Nickelodeon bought the series and already did a successful test run of Making Fiends on its Web-based TurboNick. Few restrictions were made by the network execs when they made the deal — they told Winfrey, “Just don’t mention Hitler, and don’t hit people on the head.”

“But then again, we do hit people on the head,” she says, “So ... ”

She conceded to a few small changes. A classroom poster that read “A is for Alimony” had to be changed because alimony is a serious issue affecting millions of kids across the nation and should never, ever be made fun of, ironically or not. She was stumped for a while on what A should be for. Aglaia would pop into Winfrey’s office and suggest things: “Alcoholism?” They settled on “Abomination.”

Vendetta’s house will be much more elaborate for TV. It will scream production value. It will look like Winfrey’s parents’ house. “But my parents don’t have a garage [big enough] for a giant cat. Crafted in a style known as “fiend-based architecture,” it will have fiend columns, tables with legs that move, and a staircase with fiends hiding in the banister.

Winfrey’s real-life house in Silver Lake is hidden behind a swath of ivy. It’s the kind of place where you’re apt to be startled by a wall hung with a set of plates painted with cockroaches, a gift from Winfrey’s husband. “He knows my taste,” she explains. “Sure we’ve used them. We served spaghetti on them at a dinner party once.” Or by her parrot, who squawks and hangs upside down from the lamp like a bat. He inspired a fiend.