By Catherine Wagley
By Channing Sargent
By L.A. Weekly critics
By Amanda Lewis
By Catherine Wagley
By Carol Cheh
By Keegan Hamilton
By Bill Raden
The faded mocha edifice that until last year housed CBS’s Columbia Square studios looks at first glance completely abandoned. On giant placards that once displayed pristine, smiling headshots of the KCBS news team, the local newscasters now sport spray-painted Marilyn Monroe wigs, Warhol style. On another billboard, hand-scrawled letters spelling “Life Is Beautiful” drip as if they had been painted in fresh blood.
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Photo by Gregory Bojorquez
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Is it good old vandalism, or signs of life?
Aficionados of Los Angeles street art might recognize the now-familiar work of one “Mr. Brainwash,” a.k.a. MBW, a.k.a. Thierry Guetta, a French filmmaker turned graffiti provocateur. Over the past few months, Mr. Brainwash images have become ubiquitous in greater Hollywood, evolving from the Banksy-style black-and-white stencils of a guy wielding a movie camera to repurposed reproductions of Elvis, Hendrix, Gandhi and other cultural icons, including the giant spray-paint can rebranded, à la Andy, as Campbell’s Tomato Spray. These MBW specials are wheat-pasted up and down the La Brea corridor, the Miracle Mile, Melrose, Fairfax . . . anyplace with an unadorned utility box or blank wall.
Now Guetta is about to unleash an art happening at Columbia Square so audacious in scale and ambition that it will either make him an instant art star or an object of derision, a high-profile lesson in the perils of the vanity DIY spectacle. Either way, the opening party is going to be fabulous.
Early on a Monday evening, Imeet up with a couple of art insiders, curious to get a look at the evolving gallery space that Guetta is carving out for the solo show of his work set to open June 18. Inside the old CBS building, cables and wires (some of them live) hang from the ceiling. Stacks of books and boxes of film canisters line the walls. A couple of screen-prints are tacked to a wall. Editing bays have been turned into “vaults” — one holds hundreds of gold-painted spray cans, “the modern gold,” as Guetta says, a tongue-in-cheek reference to the prices graffiti art gets at auction these days. In fact, Guetta has already presold an estimated $100,000 of art work to help finance the show and pay rent through September on the building, which a developer plans to raze for a 40-story skyscraper, Hollywood’s tallest.
“I see art everywhere here,” exclaims Guetta, who broke his foot after falling off a ladder the day before and is giving us his tour on crutches. “I’ve been working for months and my ideas are always changing. This is my first show and I wanted to bring it to Los Angeles. It will be like nothing anyone has seen.”
Guetta isn’t the guy you’d figure to have such a large solo show in Los Angeles. He was introduced to the world of street art nine years ago as a documentary filmmaker, though he claims to have sold paintings to Michael Jackson in the ’80s. It was only after collecting hundreds of hours of footage of Shepard Fairey, Banksy and other international street-art stars that he decided he might like to try his hand at art. The film, meanwhile, remains unfinished. Banksy — who has said of Guetta, “Mr. Brainwash is a force of nature; he’s a phenomenon. And I don’t mean that in a good way” — is threatening to do a movie about the documentary Guetta never made.
At the moment, Guetta isn’t thinking about film, but about his plans to paint 100,000 shoes green and then hang them in the trees of Columbia Square. He’ll be bringing over a 15-foot-tall takeout bag, complete with receipt, which he constructed at his nearby studio as an homage to Claes Oldenburg. And he’s recruited graffiti artists to fill the walls that he can’t get to himself. There’s a lot of space to fill, and he’s got just over two weeks before the opening to pull this off.
Fortunately, he’s got friends in high and low places. Daniel Salin, a get-it-done guy who produced Banksy’s “Barely Legal” L.A. debut in 2006, is the show’s producer, though Guetta is largely financing the project himself. (Guetta won’t confirm rumors that he and his family own commercial real estate on Melrose.) In addition, Swindleco-founder and art agent Roger Gastman and his partner Sonja Teri are consultants for the show. And when Guetta didn’t want to pay the estimated $80,000 contractors quoted to clear out the leftover office debris at the CBS space, he placed an ad on Craigslist with some photos and the offer, “Everything Free.” By morning, he had 15 moving trucks lined up outside and crews to take away the miscellaneous office furniture and scrap metal.