THIS WEEK, THE RICO TRIAL for Anthony Pellicano and four co-defendants finally began. With its recessed lighting, Formica-granite wall panels and curved pews, Courtroom 890 in the Roybal Federal Building gives the impression of some space-age church — Congregation of the Neutrino, perhaps. At the end of its Nuremberg-sized defendants’ dock sits Pellicano, whose bill-like nose and weak chin truly suggest a pelican.
(Click to enlarge)
Always clad in the green-nylon Windbreaker of a federal prisoner, Pellicano has the satisfaction of knowing he’s represented by the cheapest counsel possible — himself. One drawback, though, is that Judge Dale Fischer must constantly remind Pellicano to refer to himself in the third person whenever he plays lawyer and speaks about his client.
Pellicano, who turns 64 in about two weeks, must wish he could place more than semantic distance between himself and the man who faces 625 years behind bars on 110 counts of racketeering and conspiracy.
“United States vs. Anthony Pellicano” began as a fish story. In June 2002, Los Angeles Times reporter Anita Busch discovered her car windshield had been smashed. Left upon the shattered glass were a dead fish, a red rose and a note bearing the single word “Stop.” By the time the FBI had finished delving into the incident, the fish story had evolved into a leviathan narrative centered on Pellicano, Hollywood’s cocky “private eye to the stars,” and his alleged illegal use of wiretaps to mine valuable dirt on his clients’ personal and legal foes.
He’s also accused of using law-enforcement contacts to intimidate witnesses and journalists on behalf of his A-list clients, who include Hollywood superlawyer Bert Fields, comic Chris Rock, Die Hard director John McTiernan, über-agent/producer Michael Ovitz and film-studio chiefs Ron Meyer and Brad Grey.
The apparent intimidation of Busch, which resulted after Pellicano allegedly spied on her for clients upset with her coverage of the relationship between actor Steven Seagal and businessman Julius Nasso, was but one of many cases unearthed by the feds. Pellicano’s targets, whom he allegedly spied upon on behalf of monied clients who wanted to know their secrets, formed a kind of A-list beyond just journalists and producers, and included actors Sylvester Stallone and Keith Carradine and comedian Garry Shandling.
Pellicano’s co-defendants are ex-LAPD officer Mark Arneson,* former SBC telephone technician Rayford Turner, computer programmer Kevin Kachikian and Las Vegas businessman Abner Nicherie. (Hollywood lawyer Terry Christensen was recently severed from the case and will be tried later.) Only Pellicano, who sits far apart from his associates, remains in custody — now considered too much of a flight risk to be granted the bail the others enjoy. To make the RICO spaghetti stick to the wall the government, represented by assistant U.S. attorneys Kevin Lally and Daniel Saunders, must prove that Pellicano Investigative Agency Ltd. constituted a criminal enterprise and that the alleged crimes were committed for the achievement of a common illegal goal for that enterprise.
At the heart of the case is a computer-software program called Telesleuth that was developed by Pellicano with co-defendant Kachikian — a sophisticated program that makes it easier for an eavesdropper to monitor tapped phone calls, with the aid of a tricked-out iMac.
The defense counters that Pellicano had planned to legally market the system to law enforcement — he was just testing it to make sure it worked. Really. Kachikian’s lawyer, Adam Braun, also claims Telesleuth’s intricate system of passwords and self-erasure mechanisms was designed to keep the wiretaps from falling into unscrupulous hands.
So Telesleuth was actually programmed, the implication seems, to protect the privacy of those being tapped.
An allegedly corrupt cop rounds out the characters. The government contends that veteran Pacific Division cop Sergeant Mark Arneson — whose 29-year career on the force was speckled with controversies — was paid to act as a one-man information-retrieval service for Pellicano, to whom he handed eyes-only information from DMV, FBI and other databases.
In his opening statement, Arneson’s lawyer, Chad Hummel, spun the cop’s hijinks as the kind of above-board moonlighting any duty-conscious officer would engage in, since Pellicano had graciously provided the LAPD with all kinds of tips about organized crime on the Westside.
IN MANY WAYS, THERE IS NO “THERE” there in this case. Pellicano and his gang aren’t accused of any standout crime that would make a TV viewer drop his or her remote in shock. The defendants aren’t accused of burglarizing a psychologist’s office or giving a diagram of a weapon to a foreign enemy. They aren’t even accused of murdering a nightclub hostess.
Instead, the government seeks to impress the jury by the sheer accumulation of instances in which Pellicano broke the law. This is why the case is so massive. If he weren’t a private investigator but Anthony Pellicano, corrupt Dentist to the Stars, the government might’ve busted him, say, for illegally using silver while charging for gold. Its case would rest on years of appointments made with dozens of Hollywood’s rich and famous.
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James Miller 08/14/2008 12:46:56 PM
Blood In My Locker - The Motion Picture James Miller Productions would like to respond to some concerns over the motion picture, "Blood In My Locker" which is to start shooting in Metro Vancouver in August 2008. The motion picture, although having a scene involving a mass school shooting, is being produced to educate and inform on prevention of violence and helping persons at risk of becoming violent in schools and communities. The film tells the story of four teens who face challenges and must learn to overcome them. Detailing the methods that work for three of the four while the fourth teen "falls through the cracks", it will be a gritty, shocking and graphic look at issues facing today's youth. It will not sensationalize the fourth individual and in fact will demonstarte ways that the youth is overlooked along with many warning signs and cries for help before he takes lives of fellow students and school staff. This film will be sure to fire up emotions and debate over the issues and act as a stepping stone for people of all ages and backgrounds to gain a further understanding of the issue and of how to identify risk factors and indicators. James Miller, the script writer - producer and director has been working in the area of violence awareness and intervention for many years. He sees this film as a way to get the message out to the mass public. The film is sure to cause some debate and may be very emotional for some people to watch but at the end of the day, this film will prevent the loss of lives. That is the goal of the project. This will be a hollywood style movie that delivers an impactful message. Within the first 2 hours of posting the casting and crew call in Vancouver, BC Canada, dozens of people responded to get involved in this project in order to be a part of something they know will have a long lasting effect. James says, " I am not here to glorify the individuals who have taken the lives of our children in schools around the globe. The sensationalism will be focused on the characters in the movie who are able to get help and admit they need outside assistance with their problems. The ones who recognise their own vulnerabilities and issues and are able to find the help they did not know was there. The ones who felt so alone and isolated by their issues and found that when they did get help, there were many others going through the same struggles and they were not alone after all. I know that some people will be upset with this project and I have already received some very intense communications against the project but that will not stop this project. It needs to be done." James Miller is the Founding Director of the internationally recognized organization, "E.N.D. Youth Violence" (www.youthandviolence.com) and author of the book, The Three Keys To Youth Crime Prevention" being released later this year by Rowman and Littlefield Educational Publishing. James is also the Owner and President of James Miller Productions and several subsidiary companies. He has worked on many projects in the production industry and has also played small roles as an actor and comedian in several projects. He further stated, " I know how emotional this topic can be. I worked with victims of the Columbine tragedy to block the release of a video game that allowed players to re-enact the massacre. I assure everyone this will be something that at the end of the day will have a positive impact on the people who see the movie and the issue of Youth Violence as a whole. This is why we have been receiving resumes from students, parents and even grandparents to be cast in the movie. Everyone is concerned about school violence and this is one way to get involved in helping to make a difference" James Miller can be reached at (604) 582-9624 - 24 Hours. James Miller Productions 9955 116th Street Surrey, BC Canada V3V 7Y4 www.jamesmillerproductions.com