Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of Los Angeles's most popular hot spots.
user content provided by: LikeMe.net & LA Weekly

SLIDESHOWS

National Features >

  • Riverfront Times

    Where's the Beef?

    Allison Burgess stakes her reputation on mystery meat.

    By Aimee Levitt

  • City Pages

    Carp Killah

    Just in time for summer, it's again safe to fish with bows and arrows in Minnesota.

    By Bradley Campbell

  • Village Voice

    The Man in Our Mirror

    A black American's eulogy to Michael Jackson.

    By Greg Tate

  • Miami New Times

    Smoking Guns

    Miami's latest vice? Black-market cigarettes.

    By Tim Elfrink

Be Social

  • rss

Boyz II Men: A Philadelphia Story

The only thing these guys didn't do was cater

By Jeff Weiss

Published on January 29, 2008 at 10:07pm

When Boyz II Men dropped  Motownphilly in the spring of '91, it not only signified the end of the New Jack Swing era, it also heralded the arrival of the last and greatest (commercially) male R&B vocal group to ever close out a junior-high dance. Though statistics from the pre-Internet era are hazy, it is believed that between the years 1991-'95, "End of the Road,""It's so Hard to Say Goodbye" and "I'll Make Love to You" got more 13-year-olds tongue than at any time in previous recorded history. (To say nothing of "Uhh Ahh," which would've been banned in several Midwestern states had it been released in 1954.)

Stack those haircuts high: Boyz before they became men. (Click to enlarge)

Jeff Katz

Silk: Masters of the oral-sex ode (Click to enlarge)

Enis Sefersah

Jodeci: R. Kelly should be paying them royalties. (Click to enlarge)

In the decade-plus since Boyz II Men ceased to be a commercial and creative force, many would-be heirs have attempted to throw a cappellas at the throne, but none have topped the Philadelphian quartet's ability to create anthems for bar mitzvahs, weddings, proms and graduations. The only thing these guys didn't do was cater. Though they're currently a trio without the retired Michael McCary (a.k.a. the guy with the really deep voice who did the spoken-word interludes in the middle of every song), Boyz II Men re-signed with Universal last year and have been on the comeback trail ever since. In honor of their February 1 date at Crash Mansion, now's as good a time as any to take a look at the world of the male R&B vocal group, post-"Cooleyhighharmony."

September 1991Color Me Badd release their triple-platinum debut, C.M.B., proving that a lack of talent doesn't impede pop success provided one wears bright clothing, looks like a Benetton ad and sings songs about "sexing u up." Though C.M.B. snags several trophies at the '92 Grammys, the band's fame is short-lived and by the following summer, not a soul still adores mi amor.

January 1992Led by future "pied piper" of R&B, R. Kelly, New Jack Swing holdovers Public Announcement debut with their platinum-selling Born Into the 90's. Though at the time the album's title is thought to be a reference to the young men in the group, a later analysis reveals it to be a subtle commentary on the girls that Kelly aspired to date.

August 1992Boyz II Men release "End of the Road," a single tailor-made for the Boomerang soundtrack. It goes on to become the most popular song ever released on Motown, spending a record 13 weeks at the top of the charts, longer than anyone remembers the film Boomerang.

November 1992Keith Sweat proteges Silk release their double-platinum debut, Lose Control. Hit single, "Freak Me," briefly becomes the most famous ode to oral sex until Akinyele releases "Put It in Your Mouth."

December 1992Howard grads Shai release the smash, "If I Ever Fall in Love." The a cappella tune jacks Boyz II Men's style and, as retribution, the gods of R&B banish Shai to a future of anonymity. By 2007, they will be self-releasing an album titled Love Cycle: Back From the Mystery System. Lesson learned: Boyz II Men ain't nothing to fuck with.

March 1993One-hit wonders H-Town release "Knockin' da Boots." Though their debut LP, Fever for da Flavor, goes platinum, H-Town struggle to come up with content for their second album, boasting a song called "Sex Bowl," which may or may not be about prostitutes who enjoy bowling.

December 1993Jodeci, the only male vocal group in a league with Boyz II Men, release their appropriately named Diary of a Mad Band. While Diary's sales don't match those of its predecessor, Forever My Lady, it signifies a shift in R&B toward the more hardcore gangsta sound. The video for "Feenin'" actually features Snoop Dogg swilling a 40, smoking a blunt and telling Jodeci to "treat 'em like they want to be treated."

April 1994Antelope Valley-based R&B group All-4-One release their eponymous debut record, containing the Grammy Award-winning smash "I Swear." Directly ripping off Boyz's vocal style, All-4-One fall victim to the dreaded curse and are now rumored to be pumping gasoline somewhere in Victorville.

August 1994Boyz II Men drop their most successful record, II. Featuring singles "I'll Make Love to You" and "On Bended Knee," it sells 12 million copies and inspires an equal number of shotgun weddings.

March 1995Heavy D-discovery Soul for Real make a brief splash with "Candy Rain." Though their fame is short-lived, it inspires a generation of porn stars and strippers to rename themselves "Candy Rain."

July 1995Jodeci release their third and final album, The Show, the After Party, the Hotel. It gives R. Kelly the idea for the rest of his career.

November 1995Boyz II Men collaborate with Mariah Carey on "One Sweet Day." The single spends a record 16 weeks atop the Billboard Hot 100, becoming the most popular song to ever be written about one of the lead singers of C&C Music Factory.

September 1996Teddy Riley's neo-New Jack Swing outfit, BLACKstreet, release their quadruple-platinum second album, Another Level. The album features the fantastic "No Diggity," a song that tragically causes tens of thousands of middle-aged white people to think that using "iggity" as a suffix makes them hip.

1   2   Next Page »