By Catherine Wagley
By Catherine Wagley
By Wendy Gilmartin
By Jennifer Swann
By Claire de Dobay Rifelj
By L.A. Weekly critics
By Catherine Wagley
By Zachary Pincus-Roth
SHUT UP AND EAT YOUR GROUNDLINGS Sketch and improv, directed by Karen Maruyama. GROUNDLING THEATER, 7307 Melrose Ave., Hlywd.; Fri., 8 p.m.; Sat., 2 & 8 p.m.; thru Jan. 26. (323) 934-9700.
SKIN OF HONEY The Cuban revolution provides the backdrop for Odalys Nanín’s play about lesbian lovers. Two school girls, Amelia and Isabel (Lidiya Korotko and Andrea Rueda) pledge eternal love, but after the brief imprisonment of Amelia’s father (Ray Michaels Quiroga) by Castro, Amelia reluctantly leaves Cuba for Miami with her family. In contrast, Isabel is a Fidelista, who eventually becomes one of Castro’s mistresses. Some of the dialogue is overly didactic, slowing the drama. Flashbacks are smoothly incorporated into the narrative thanks in part to Mia Torres’ clever set design. MACHA THEATRE (formerly The Globe), 1107 N. Kings Road, W. Hlywd.; Fri.-Sat., 8 p.m.; Sun., 7 p.m.; thru Oct. 28. (323) 654-0680. (SR)
SOBRIETY, MATRIMONY AND OTHER ALTERED STATES Belinda Waymouth’s solo show. LOUNGE THEATRE, 6201 Santa Monica Blvd., Hlywd.; Tues.-Wed., 8 p.m.; thru Nov. 7 (no perf Oct. 31). (310) 986-1953.
THE TOMORROW SHOW Late-night variety show created by Craig Anton, Ron Lynch and Brendon Small. STEVE ALLEN THEATER at the Center for Inquiry–West, 4773 Hollywood Blvd., Hlywd.; Sat., mid.; indef. (323) 960-7785.
GO TURNS OUT I’M FUNNY The brilliance of Mary Lynn Rajskub’s standup act stems from a kind of bewildered, inarticulate persona who goes off on digressions and deliberately neglects to finish stories. The disarray is a con; by show’s end, it all adds up. Because of Chloe — her character on Fox’s 24 — she says she was invited to a counterterrorism panel hosted by Rush Limbaugh, who, in a moment of introduction, accidentally kissed her on the lips. After rumors of their affair spread around the country, she says she e-mailed Limbaugh, asking for a date — the response was blistering. STEVE ALLEN THEATER at the Center for Inquiry–West, 4773 Hollywood Blvd., Hlywd.; Sun., 8 p.m.; indef (no perfs first Sun. of the month). (800) 595-4TIX. (SLM)
TWELFTH NIGHT Circus Theatricals at the HAYWORTH THEATER, 2511 Wilshire Blvd., L.A.; Fri.-Sat., 8 p.m.; thru Oct. 27. (323) 960-1054.
WILDBOY ’74 Seee New Reviews.
GO WRECK OF THE UNFATHOMABLE On a bare stage, playwright/director Christopher Kelley tosses The Tempest into the air like a salad, and when it lands on the stage, Shakespeare’s fantasia of political rivalries, of mystical powers being surrendered, of castaways being set free into a wide-open and presumably new world have all been rearranged with 21st century resonances. Not that this has anything to do with modern dress or the war in Iraq. Some greedy moron set the shipwreck afire, now these people must now live with each other. Kelley’s sumptuously written play-closing chorale is a desperate prayer for a new world that floats, like a gull, mere inches above an ocean of despair. THEATRE OF NOTE, 1517 N. Cahuenga Blvd., Hlwyd.; Thurs.-Sat., 8 p.m.; thru Nov. 17. (323) 856-8611. (SLM)
GO ZANNA DON’T There’s something strange about a gay-friendly musical in which the characters are homosexuals at the beginning, but magically turn straight by the end. Is this lurking gay self-hatred, or perhaps a crossover strategy? Writer-composer Tim Acito (with additional material by Alexander Dinelaris) has created a clever, fast-moving show that relies more on charm than logic. Director Nick DeGruccio shepherds a young cast through a crowd-pleasing romp. Musical direction, choreography and technical credits are all top-notch. West Coast Ensemble at the LYRIC-HYPERION THEATRE, 2106 Hyperion Ave., Silver Lake; Fri.-Sat., 8 p.m., Sun., 3 p.m.; indef. (323) 906-2500. (NW)
AND NEITHER HAVE I WINGS TO FLY Ann Noble’s Irish wedding drama. ROAD THEATRE COMPANY, Lankershim Arts Center, 5108 N. Lankershim Blvd., N. Hlywd.; Thurs.-Sat., 8 p.m.; Sun., 2 p.m.; thru Nov. 4. (866) 811-4111.
THE BLACK CAT Edgar Allan Poe’s horror story. ZJU THEATER GROUP, 4850 Lankershim Blvd., N. Hlywd.; Fri.-Sat., 8:30 p.m.; thru Oct. 27. (818) 202-4120.
CANNED PEACHES IN SYRUP Playwright Alex Jones’ bleak post-apocalyptic comedy imagines an environmental wasteland populated by nomadic bands of foragers who tend to either be vegetarians or cannibals. The conversations in both camps are dominated by scatological references and gross-out observations. The story has a Romeo and Juliet theme, but this production, directed by Dámaso Rodriguez, is held up more by the strength of its over-the-top performances than anything the play has to say. FURIOUS THEATRE COMPANY at PASADENA PLAYHOUSE, 39 S. El Molino Ave., Pasadena; Thurs.-Sat., 8 p.m.; Sun., 7:30 p.m.; thru Nov. 10. (800) 595-4TIX or www.furioustheatre.org. (SM)
GO CESAR & RUBEN Most of Ed Begley’s spirited musical tribute to labor activist Cesar Chavez (Danny Bolero) and L.A. Times labor reporter Ruben Salazar (Mauricio Mendoza) essays Chavez’s story. In Act 2, we learn of Salazar’s tragic shooting by an L.A. County Sheriff’s deputy at a 1970 Vietnam War protest. For the sake of balance and the underlying reasons that these two men meet, more needs to be dramatized about the Latino journalist. Under Begley’s smart direction, Bolero and Mendoza are rock solid, and the lives of their characters unfold with compelling interest. NOHO ARTS CENTER, 11136 Magnolia Blvd., N. Hlywd.; Thurs.-Sat., 8 p.m.; Sun., 3 & 8 p.m.; thru Nov. 4. (818) 508-7101. (LE3)
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