Most Popular

SLIDESHOWS

National Features >

  • Riverfront Times

    The Pope of Pork

    Old-school hog farming makes a comeback, thanks to some fine swine from Frankenstein.

    By Kristen Hinman

  • Broward-Palm Beach New Times

    The Lost Season

    Here's how you become one of those people who screams at his kid's coach.

    By Bob Norman

  • SF Weekly

    Border Crossers

    Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.

    By Lauren Smiley

  • Houston Press

    Deadly Evidence

    First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.

    By Randall Patterson

Be Social

  • rss

Making a Killing in the War On Terror

Misfortune begets fortune in Shadow Company

Paul Malcolm

Published on September 13, 2007

Years from now, we’ll be able to trace the rise of the 21st-century mercenary back to the war in Iraq. This, assuming that years from now the war is actually over. For the subjects of director Nick Bicanic and Jason Bourque’s fascinating, evenhanded documentary Shadow Company, about the big business of guns for hire, perpetual war is not necessarily a bad thing. There are 20,000 “private military contractors” — the current preferred euphemism — in Iraq, a fact that came to shocking light in 2004, when four of them were killed and mutilated by angry mobs in Fallujah. Who these men are and why they take such historically disreputable and dangerous (though highly paid) gigs is one of the bigger questions on Bicanic and Bourque’s agenda. Interviews with mercenaries, some of them seemingly quite nice guys, and flourishes of style — comic-book illustrations, video-game scenes and news footage swirled together in an Oliver Stone–esque mélange — give a flavor of the personalities involved. Academics and security experts fill in the historical and political context. As the nation-state wanes in the age of globalization, the mercenary of the Middle Ages has returned, backed this time by corporate managers, lobbyists and billions of dollars. The film suggests that this may not be such a disaster when private force is applied within constraints. Unfortunately, in the Wild West horror show that is Iraq, no one’s sure if there are any rules at all. (Grande 4-Plex)

—Paul Malcolm