It goes without saying, then, that this isn’t a show that generates its mojo from getting you to fall in love with its characters — which was ironically what led to the Sopranos disconnect between David Chase’s icy existentialism and gangster-genre aficionados who wanted “closure” — but rather from the clinical charge of observing them moved around like lab creatures in a booby-trapped maze. (Although I can predict fan worship developing for the behind-the-scenes visual team, which includes production designer Dan Bishop, set decorator Amy Wells, prop guy Scott Buckwald and costumer Katherine Jane Bryant, who should all start clearing their awards mantels now.) There’s a surprise reveal at the end of the pilot episode intended to deepen our grasp of semi-conscionable Dan Draper’s complicated world, and while it probably won’t shock anyone, it shows that Weiner has a strategy for the way he develops his characters. Mad Men may thrive on a certain heartless suspense, but it’s definitely got a brain, one that’s interested in how our lives are a battle between the narrative we imagine for ourselves and the path we happen to be on.
Mad Men| AMC | Premieres Thurs., July 19, 10 p.m.
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