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That was the event that lingers longest — that, and the Philharmonic’s “Minimalist Jukebox”; Golijov’s Ainadamar at Ojai; every note from the pen, the fingers and the baton of Thomas Adès during his two “residencies”; the “marathon” — eight hours culled from the past century, splendidly performed all by local musicians to inaugurate the new; “Jacaranda” concert season; Falla’s Master Peter’s Puppet Show led by Salonen to start the new Philharmonic season; his Mahler Third the next night; Alan Gilbert conducting the Mahler Ninth and the audience’s absolute silence that greeted it; Lucy Schaufer’s Cherubino in The Marriage of Figaro and — surprise! — Nikolaj Znaider’s reading of the Sibelius Violin Concerto, music I usually abominate but which came gloriously to life on this occasion. That’s why I keep going to concerts; you just never know.
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