Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

SLIDESHOWS

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Be Social

  • rss

Art

The Lashes at Spaceland, December 9

Published on December 21, 2006

The Lashes at Spaceland, December 9Turns out they do make ’em like they used to. Seattle’s Lashes are a rock band in the traditional sense: crotch-constricting pants and carefully considered haircuts; grittily romantic songs about gals; and a true front man in the multibelted Ben Clark. For all the mysteries of major-label talent scouting, it’s easy to see why Columbia snapped them up (though record deals ain’t what they used to be — the sextet still hump their own equipment, and the club isn’t quite full).The Lashes flash panache in all departments, including sometimes spectacular song craft. Keysman/backing vocalist Jacob Hoffman covers acres of musical ground; Clark can hold a tune and a crowd; drummer Mike Loggins drives the bus without fuss; shrub-haired bassist Nate Mooter provides visual punctuation; and the twin six-strings of Eric Howk and Scotty Rickard co-inhabit countermelody territory. The treats peak with the pleading single “Sometimes the Sun,” but the Lashes’ worst effort would be the pride of many peers.Though late to the Strokes/Hot Hot Heat party, the Lashes give the garage an emo veneer and add multidimensional arrangement depth. If that means a dip in hip, they probably won’t complain about a future on the mainstream airwaves rather than cooler-than-thou clubdom.—Paul Rogers frank