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Did a struggling white writer of gay erotica become one of multicultural literature’s most celebrated memoirists — by passing himself off as Native American?

If Nasdijj is not Native American, he’s not only misinforming his audience, he’s making it harder for genuine work to come forward. The PEN/Beyond Margins Award is given annually to a Native American writer to help spread “racial and ethnic diversity within the literary and publishing communities.” When Nasdijj accepted the award in 2004, he accepted money and prestige specifically earmarked to help Native Americans share their story.

“The last act of colonialism is for the dominant culture to completely supplant the Native one,” says Alexie. “Nasdijj is disappearing people. With every book he writes he makes Indians disappear.”

Illustrations by Ronald Kurniawan
Illustrations by Ronald Kurniawan
Back Then: Tim Barrus in his 1969 Lansing, Michigan high school yearbook photo, right, and with his Key West compatriot, Bill Bowers, circa 1984. Bowers on Barrus: ''He was really a master of publicity.''
Back Then: Tim Barrus in his 1969 Lansing, Michigan high school yearbook photo, right, and with his Key West compatriot, Bill Bowers, circa 1984. Bowers on Barrus: ''He was really a master of publicity.''

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In the end it is, ironically, Nasdijj who sums up appropriation most eloquently. In an essay on Louis L’Amour titled “The Saddest Book I Ever Read,” Nasdijj writes, “The accumulated weight of fictions (like L’Amour’s), when added up, form a place that never was and a time that never happened. Fictions like this are murderous. They pass off illusion as fact, stereotype as portraiture. .?.?. Counterfeit comes to be seen as the genuine article. It kills people. It kills culture. It kills even the shadow of truth.”

Epilogue: When I approached Nasdijj last week, via e-mail after many attempts to find a working phone number, I received a quick reply from someone called Mike Willis, who identified himself as Nasdijj’s assistant. He told me that Nasdijj was high in the Sierra Madres of Mexico without access to phones or the Internet. He offered no sense of when Nasdijj might return, adding that it was “quite sad” that the author couldn’t “defend himself.” When asked for a phone number for either himself or Tina Giovanni, Willis did not reply. Shortly thereafter, Nasdijj’s Web site was taken offline and all mention of his daughter Kree Barrus was removed from the archives of Giovanni’s blog. The next day, that blog was also shut down and queries sent to Nasdijj’s e-mail address went unanswered. But on Monday, the following post appeared on Nasdijj’s blog: “For those seeking Refuge consult the Hyena. Follow those directions to the Old Hotel. To find N, take the stairs to the roof. Bring your medication. The view is magnificent. And safe. You know who you are. Do not answer questions. Sealed. They do not care about you. You know that. Do not be fooled. Someone will. You will connect. Follow the Hyena’s path. Mike.”

To read excerpts from past Nasdijj blog postings, go to laweekly.com.

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