Meanwhile, the one skirmishing woman, Condessa Battista de Kie del Goya da Lagos, was having trouble fighting Florentine style — wielding two weapons and no shield. Battista was getting battered by a hulking knight with a broad sword and a round shield. “Two swords wasn’t a good idea. She would have had an advantage in maneuverability because of her size and speed,” Rupkalvis explained as one of Battista’s flailing swords, in a moment of medieval friendly fire, accidentally disabled an ally. “But that was negated by the confines of the gallery.”
By the final round, the action had slowed significantly. Most of the fighters, sweating profusely, ate platters of pickles for their salt and water. The spectators drank Coors and Bud Lights out on the sidewalk, paying only loose attention to the battle through a TV mounted above the doorway. Mark Allen, the owner of Machine Projects, was nonetheless pleased. “The crowd is losing interest,” he said. “But that’s kind of a perfect development — like in today’s world, where there’s a war going on in the distance, up there on a television. And we all pay close attention at first, but then start to relax and watch with a few beers.” Inside the gallery, Johannes the Southerner, heaving with exhaustion, managed to raise his sword for yet another kill.
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