By Michael Goldstein
By Dennis Romero
By Sarah Fenske
By Matthew Mullins
By Patrick Range McDonald
By LA Weekly
By Dennis Romero
By Simone Wilson
Remember Bizarro World? That cube-shaped planet populated by perversely skewed alter egos of DC Comics characters? Where garbage men throw trash, Boy Scouts push babies in front of traffic, and Superman is a criminal? Well, we’re fast approaching this dimension in Big Media World, now that mogul moves are announced by Howard Stern and Don Imus and not in the financial press.
Yes, it was shock jocks who told us in the pre-dawn hours of Tuesday morning that: Viacom No. 2, Mel Karmazin, had resigned and CBS head Les Moonves and MTV chief Tom Freston were upped to co-presidents and chief operating officers. That left Viacom Entertainment topper Jonathan Dolgen humiliated as the great unmentioned. Once equal to Freston and Moonves, Dolgen was supposed to report to his former brethren, at least on paper. That was tantamount to a demotion, based no doubt on the fact that his Paramount division has been tanking and that he'd pissed off both men in recent years with his doesn't-play-well-with-others attitude -- to the point where Freston was telling pals that "dealing with Dolgen is like dealing with a rival studio." On Wednesday afternoon, Dolgen expectedly resigned.
In his new role as Lou Dobbs and Maria Bartiromo, Stern gave us the behind-the-scenes dish while voicing his loyalty to rude and crude Karmazin and his disdain for slick and smarmy Moonves. Yet, just days earlier, Stern had warned us what was coming while Viacom itself stayed mute. And there were even Viacom’s repeated denials of 30 months of rumors that management was roiling because octogenarian chairman-CEO Sumner Redstone wanted to drop-kick Karmazin (and didn’t, only because Wall Street rebelled). But a recent tumble in Viacom’s share price caused Redstone to feel he finally had the upper hand over Mel. So, after gambling on actuarial tables that Sumner would drop dead sooner rather than later, Karmazin appeared to have lost the succession battle to Redstone’s 50-year-old daughter, Shari Redstone, a Viacom board member and president of family-started National Amusements. Mel would walk out shortly, Stern said on May 27.
That’s why Howard is No. 1 with so many listeners: They know he tells the truth, warts and all.
Too bad we allow his bosses to lie with the impunity of W’s warmongers.
You would think that, in the wake of the Enron–Tyco–Global Crossing–Adelphia–Martha scandals, corporate honchos would feel pressured by the much ballyhooed Sarbanes-Oxley Act of 2002 — which sought to encourage more transparency in corporate governance but only succeeded in creating more confusion by its too-broad language, thus enriching more lawyers — to disclose, disclose and disclose some more.
But not Big Media.
Maybe their untruths sound louder because they own the microphones.
Maybe it’s because almost all of them were schooled in Hollywood, where lying has been elevated to an art form. But the mendacity just keeps coming, and not just from Viacom.
Example: For nearly the full 16 months that Michael Ovitz served as president of Disney, he and chairman-CEO Michael Eisner insisted in public that all those stories claiming they were not getting along were utter hogwash. Now, thanks to a shareholders’ lawsuit, we know that Eisner decided his No. 2 was a total incompetent, incorrigible liar and impossible spendthrift from almost the first day out.
Then there are Disney’s white lies: “We’ve fixed ABC.” “We’re fixing ABC.” “We’ll fix ABC.” And so on, ad infinitum. And yet, ABC is still broken, and it seems everyone has been fired except, inexplicably, its overseer, Disney president Bob Iger.
The managers of that media conglomerate once known as AOL Time Warner kept lying to the public, claiming it would meet financial targets when in fact it went into the toilet. Now Steve Case and Gerald Levin are gone, and in their place is Dick Parsons, who gave just as misleading statements as the rest of them but without consequences.
MGM is on the block, off the block, doing business, not doing business. Hard even for its managers to keep the stories straight about the fate of this sorta studio.
And Sony bought into Hollywood based on the biggest lie of all: that a studio could be profitable. That’s really laughable if it weren’t for all those write-downs.
Not a pretty picture, is it?
For years now, we’ve grown accustomed to the personality flaws of the men who would be moguls — especially the degree to which Big Media boys tinker with their toys. For every Mel Karmazin, who would say, “The day I start looking at pilots is the day you should start selling your stock in the company,” there’s his boss, Sumner Redstone, who, at the behest of his then movie-producer girlfriend, made a crack-of-dawn call to a Paramount screenwriter and ranted, “You’re late with that fucking rewrite.” For every Dick Parsons, who boasts to friends he can’t be bothered to watch his own television product, there’s Michael Eisner, who spent weeks trying to resolve a plot problem involving apparent incest between brother and sister animals for a straight-to-video sequel to The Lion King. And for every Jeffrey Immelt, who’d rather talk about General Electric’s medical equipment than its NBC subsidiary, there’s Jack Welch, the retired GE chairman, who became so embroiled in the network’s business that he’d start off conversations asking about the weight of his increasingly fat Veronica’s Closet sitcom star, Kirstie Alley.
Find everything you're looking for in your city
Find the best happy hour deals in your city
Get today's exclusive deals at savings of anywhere from 50-90%
Check out the hottest list of places and things to do around your city