By Hillel Aron
By Joseph Tsidulko
By Patrick Range McDonald
By David Futch
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By Dennis Romero
By Jill Stewart
By Dennis Romero
|Photo by Gregory Bojorquez|
“My dad started a way of dressing, a way of singing, a way of acting, a way of talking, everything,” says AdÃ¡n SÃ¡nchez. “It was a big-ass revolution!”
SÃ¡nchez isn’t exaggerating. His father, Mexican music legend Chalino SÃ¡nchez, took traditional corridos — ballads played in accordion-based polka or waltz rhythms — and radically changed the culture by toughing them up: wearing the cocked Tejana (cowboy hat), “barking” out his songs, allowing his fans to get onstage with him and pose for pictures, and speaking Sinaloan slang. Like Tupac Shakur, Chalino wrote and recorded tons of songs in a short musical career; he sang about the valientes— the tough and poor; he had a fondness for firearms; and he was ultimately gunned down, becoming even more famous after his death.
Read the full Chalino SÃ¡nchez story in our archives.
But that’s not how AdÃ¡n wants his dad to be remembered: “He was a great singer, a great songwriter, a great artist, but he was a really great dad. A family man who loved his kids.” Chalino picked AdÃ¡n up from school in a Corvette, threw birthday and Christmas parties for him, even sought his young son’s opinion about his songs. He was a generous man friends called “El Compa” (Buddy), who liked giving away things. “He would go to the ranchos and give boxes of clothes to the people. I knew my dad; I knew what kind of person he was. I ain’t going to worry about all the haters.”
Like Tupac, Chalino had offstage enemies. AdÃ¡n was just 8 when his mother, Marisela, broke the bad news. Following a 1992 show in Sinaloa, Chalino and his brother Espiridion were stopped in traffic by armed men in a federal police car. They were taken from the car, and Espiridion was released. The next morning, two campesinos found Chalino’s body dumped by an irrigation canal. He was blindfolded, and his wrists had rope marks. He had been shot twice in the back of the head.
“It was hard, there was nobody there for my mom,” says AdÃ¡n. “I was the only man. I was 8, but really I was acting like I was already 18, trying to help my mom.”
AdÃ¡n began to fill his father’s shoes in other ways as well. When he and his mother and younger sister were invited to attend a show at El Farallon nightclub in Lynwood, the owner, a good friend of Chalino’s, asked AdÃ¡n onto the stage: “I just got up there, got on the mike. I was off beat, off tone. It sounded like shit, honestly, but people liked it.”
He’s been singing ever since. In 1992, AdÃ¡n recorded for his father’s “informal” label, Rosalino Records, then signed with Musart (one of L.A.’s larger Mexican labels), then Sony’s Luna Music. Eleven years and eight albums later, AdÃ¡n, now 19 and known as “El Compita” (Little Buddy), has just released a new album under powerhouse Univision Records, Un SoÃ±ador(A Dreamer).
Un SoÃ±adorfeatures 12 cuts ranging from mournful rancherasto foot-stomping zapateadosand corridos and even a cumbia jam. The love ballad “Me CansÃ© de Morir por Tu Amor” (“I got tired of dying for your love”) has received major play on 105.5 FM KBUE (Que Buena), Southern California’s main Mexican music station. The album includes classic tracks such as the killer opening cut, “Deja Que Salga La Luna” (“Let the Moon Come Out”), written by the Mexican master JosÃ© Alfredo JimÃ©nez — by the end of this full-brass banda,you’re begging for the celestial body to show itself.
While the use of his middle name, “Chalino,” on the album cover may disappoint those listeners looking for the stories and the distinctive Nacho HernÃ¡ndez accordion sound his father was known for, AdÃ¡n makes a case for himself with his own more melodious style. But he and his father are never far apart: The centerpiece of the CD is “Arriba Chalino SÃ¡nchez” (“Long Live Chalino SÃ¡nchez”), a corrido written by AdÃ¡n. Revealing his hip-hop influences, he calls out Chalino imitators: “Keep copying, sirs/His songs and corridos/Continue to waste your time/You’ll never be Chalino/You can’t play people for fools/Keep biting his style.”
“It’s cool that people try to sing like him,” says AdÃ¡n, “but I don’t like people trying to eat off him. There are certain people who record for their own purposes to get money, to get more famous. I am not trying to fight anybody. Honestly, I’m trying to do my own thing and not worry about anyone else.”
AdÃ¡n’s own thing is the love ballads. “That’s what people like, that’s what the people ask for,” he says, breaking into a mischievous grin and adding, “What the girls like.” In his live performances in the U.S. and Mexico, young women often storm the stage. AdÃ¡n says that he can deal with the celebrity thing.